转换视角:关于超越人类世界的合成生物学的电影对话

Q3 Arts and Humanities Body, Space and Technology Pub Date : 2021-11-01 DOI:10.16995/bst.7976
Sarah Pini, Melissa D. Ramos, Jestin George
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引用次数: 0

摘要

短片实验电影《转变视角》源于2019年在澳大利亚悉尼发起的一项合作研究项目,该项目是在“舞蹈Hack实验室”期间发起的,该实验室由Critical Path和悉尼艺术节与应用艺术与科学博物馆(MAAS)合作举办的为期一周的实验室,该实验室要求艺术家和学者反思、回应和重新思考人类世的概念(Pini & George, 2019)。这部电影后来于2020年在悉尼关键路径的响应驻留期间拍摄,由人类学家和编舞家Sarah Pini与生物技术学家和视觉艺术家Jestin George以及视觉艺术家和电影制作人Melissa Ramos合作颁发。这项工作旨在打开跨屏幕,表演和合成生物学的多声音跨学科对话。受合成生物学领域两位领导者(莎拉·理查森和汤姆·奈特)最近的一次对话以及他们研究微生物生命的不同方法(Agapakis, 2019)的启发,这部电影邀请人们思考如何与微生物合作,在一个超越人类的世界中重塑我们的未来。
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Shifting Perspectives: A cinematic dialogue about Synthetic Biology in a more-than-human world
The short experimental film Shifting Perspectives stems from a collaborative research project initiated in 2019 in Sydney, Australia, during the ‘Choreographic Hack Lab—a week-long laboratory co-presented by Critical Path and Sydney Festival in partnership with the Museum of Applied Arts and Sciences (MAAS), which asked artists and academics to reflect and respond and rethink to the idea of the Anthropocene (Pini & George, 2019). The film was later developed in 2020 during a Responsive Residency at Critical Path, Sydney, awarded to anthropologist and choreographer Sarah Pini in collaboration with Jestin George, biotechnologist and visual artist, and Melissa Ramos, visual artist and filmmaker.This work aims to open a multivocal interdisciplinary dialogue across screendance, performance and synthetic biology. Inspired by a recent conversation between two leaders in the field of synthetic biology (Sarah Richardson and Tom Knight) and their divergent approaches to working with microbial life (Agapakis, 2019), the film invites to consider how collaborating with microorganisms can reshape our future in a more-than-human world. 
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来源期刊
Body, Space and Technology
Body, Space and Technology Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
0.60
自引率
0.00%
发文量
5
审稿时长
10 weeks
期刊最新文献
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