第二次世界大战期间立陶宛的前线剧院和杂耍剧院

Q3 Arts and Humanities Art History and Criticism Pub Date : 2020-11-26 DOI:10.2478/mik-2020-0006
Ina Pukelytė
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引用次数: 0

摘要

本文揭示了第二次世界大战期间立陶宛小舞台上的戏剧是如何运作的,以及它对不同观众的影响。它讨论了两个主题:1)前线战区对德国士兵及其管理的特殊性;(2)综艺戏剧面向各类观众的特殊性。第三帝国的前线剧院是一个结构良好、资金充足的组织,不仅为德国士兵和军官服务,而且对艺术家来说也是一个有吸引力的工作场所。在所有占领区都进行了表演,因此应该保持德国军队的士气。杂耍剧场,即小舞台表演,专门为下层观众服务;这些表演不需要智力上的努力,只是为了娱乐。记者在报道这种类型的戏剧时,避免批评它,因为它仍然履行了它的职责,激发了公民的乐观情绪,使他们对纳粹政府更加忠诚。
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Front Theatre and Variety Theatre in Lithuania During World War II
Summary This article reveals how theatre on small stages functioned in Lithuania during World War II and what was its impact on different audiences. It discusses two topics: 1) specificities of the front theatre intended for German soldiers and their administration; 2) specificities of variety theatre intended to all kinds of audiences. Front theatres in the Third Reich were a well-structured and well-financed organisation that served not only German soldiers and army officials but was an attractive job place for artists. Shows were given in all the occupied territories and thus the morale of the German army was supposed to be maintained. Variety theatres, that is small stage performances, were dedicated to lower class audiences; these shows demanded no intellectual effort and were meant to entertain. Journalists, writing about this type of theatre, avoided to criticise it, because it nevertheless fulfilled its duty to stimulate citizens’ optimism and to make them more loyal to the Nazi government.
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来源期刊
Art History and Criticism
Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.30
自引率
0.00%
发文量
7
审稿时长
24 weeks
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