皇帝的悲伤:两座莫卧儿墓

IF 0.7 2区 艺术学 0 ARCHITECTURE Muqarnas Pub Date : 2008-01-01 DOI:10.1163/EJ.9789004173279.I-396.60
A. Welch
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引用次数: 1

摘要

本章简要讨论两个莫卧儿墓:(i)阿塔加汗墓;Adham Khan和Maham Anaga的墓。作者努力通过碑文了解德里苏丹国的建筑,这在很大程度上归功于他优雅而严谨的工作。在其题词分析中,作者在本章中提交的对早期莫卧儿建筑的研究,以奥列格·格拉巴尔的荣誉,显然是由他的方法提供的。作者回忆起奥列格?他认为,伟大的艺术可以在高度紧张的时代作为雄心和权威的引人注目的声明而出现。在作者对苏丹国和早期莫卧儿王朝德里的研究中,位于14世纪德里尼扎穆丁·奥利亚(Nizamuddin Awliya) dargah的一座坟墓成为阿克巴尔?他最忠实的追随者,纪念阿克巴的一个决定性事件。这标志着文化的转变和新王朝方向的形成。关键词:阿德汗;阿克巴吗?年代王权;Ataga汗;德里苏丹;早期莫卧儿建筑;Maham Anaga;莫卧儿王朝的坟墓;尼桑木丁Awliya;奥列格Grabar
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THE EMPEROR’S GRIEF: TWO MUGHAL TOMBS
This chapter briefly discusses the two Mughal tombs: (i) The Tomb of Ataga Khan; and (ii) The tomb of Adham Khan and Maham Anaga. The author's efforts to understand the architecture of the Delhi Sultanate through its inscriptions owe much to his elegant and rigorous work. In its epigraphic analysis the examination of early Mughal architecture that the author submits in this chapter in Oleg Grabar's honor is clearly informed by his methods. The author recalls Oleg?s argument that great art can arise in times of great tension as a compelling statement of ambition and authority. In author's study of Sultanate and early Mughal Delhi, a tomb situated in the fourteenth century dargah of Nizamuddin Awliya in Delhi becomes a shrine to one of Akbar?s most loyal adherents, commemorating a defining event in Akbar?s kingship, one that marks a cultural shift and the formation of a new dynastic direction. Keywords: Adham Khan; Akbar?s kingship; Ataga Khan; Delhi Sultanate; early Mughal architecture; Maham Anaga; Mughal tombs; Nizamuddin Awliya; Oleg Grabar
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来源期刊
Muqarnas
Muqarnas Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
25.00%
发文量
13
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