顺势而为:细读玛丽·普林斯的历史

Kristina Huang
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引用次数: 0

摘要

由于其制作的高度中介条件,《玛丽·普林斯的历史》对本科文学课堂上经常教授的新批评阅读方法提出了挑战。对英国废奴主义者对普林斯经历的文本表达不加质疑,不熟悉奴隶叙事历史条件的读者可能会将出版物的感伤主义和对暴力的表现归因于普林斯的直接表达。这篇文章将细读引向了相反的方向:我将编辑(托马斯·普林格尔)的跨文本材料,尤其是《前言》,置于细读的审视之下,它坚持第一人称叙事和普林斯作为叙事的单一来源之间的透明度和对称性。我用《序言》作为仔细阅读《历史》的工具,强调了英国废奴主义者对自由的文本表述与普林斯作为自由实践的演讲之间的不和谐。借鉴玛丽莎·富恩特斯和安·劳拉·斯托勒的方法,我提供了历史和地理背景,这些背景可以分层到《历史》的仔细阅读练习中——特别是围绕着反复的盐的比喻和对糖的暗示——这些背景动摇了托马斯·普林格尔,以及伦敦反奴隶制协会对普林斯公众形象的代表。我论证了《历史》的非文本材料如何能够帮助指导者突出嵌入在次等表象中的权力的矛盾和不对称。
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Along and Against the Grain: Close reading The History of Mary Prince
Due to the highly mediated conditions of its production, The History of Mary Prince presents a challenge to New Critical methods of reading that are frequently taught in undergraduate literature classrooms. Without questioning the British abolitionists’ textual representation of Prince’s experiences, readers unfamiliar with the historical conditions for slave narratives may attribute the publication’s sentimentalism and representations of violence as direct expressions of Prince. This essay mobilizes close reading towards contrary ends: I throw the editor’s (Thomas Pringle’s) paratextual material, particularly the Preface, under scrutiny by close reading its insistence on transparency and symmetry between the first-person narrative and Prince as the narrative's univocal source. Using the Preface as an apparatus for close reading The History, I emphasize the dissonance between, on the one hand, the British abolitionists’ textual representation of freedom and, on the other, Prince’s speech as a practice of freedom. Drawing on the methods developed by Marisa Fuentes and Ann Laura Stoler, I offer historical and geographical contexts that can be layered onto close readings exercises for The History – particularly around repeated tropes of salt and allusions to sugar – that destabilize Thomas Pringle’s, and by extension the London Antislavery Society’s, representation of Prince’s public image. I argue how the paratextual materials of The History can help instructors foreground the contradictions and asymmetries of power embedded in subaltern representations.
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期刊最新文献
“Before I am Quite Forgot": Women’s Critical Literary Biography and the Future Mary Prince’s Undisciplining Lessons: Counter-Narrative and Testimonio in The History Plotting the Plantationocene with The History of Mary Prince Why Austen, not Burney? Tracing the Mechanisms of Reputation and Legacy Review of Figurations of the Feminine, by Siobhán McIlvanney
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