{"title":"超越帝国:英国对19世纪华沙戏剧的影响","authors":"Agata Łuksza","doi":"10.3366/BRW.2019.0314","DOIUrl":null,"url":null,"abstract":"In the late nineteenth century British culture, politics and history were customary topics in Polish newspapers, and Shakespeare's dramas were the most often performed classic texts on the Warsaw theatre stage. However, in this paper focusing on Warsaw seasons 1814/1815–1900/1901 I demonstrate that surprisingly one can hardly talk about any form of cultural transfer between the British and Polish popular theatre and drama in that period. The analysis of the Warsaw repertoire, travel recollections to the United Kingdom and press articles, reveal that even though the Polish nation treated the UK as a point of reference, it consistently rejected the British theatre at large and theatre entertainment in particular, and considered it ‘crude’ and in bad taste. I claim that the geopolitical situation of Poland cannot alone account for this puzzle.","PeriodicalId":53867,"journal":{"name":"Britain and the World","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Beyond the Empire: British Influence on the Warsaw Theatre Scene in the Nineteenth Century\",\"authors\":\"Agata Łuksza\",\"doi\":\"10.3366/BRW.2019.0314\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the late nineteenth century British culture, politics and history were customary topics in Polish newspapers, and Shakespeare's dramas were the most often performed classic texts on the Warsaw theatre stage. However, in this paper focusing on Warsaw seasons 1814/1815–1900/1901 I demonstrate that surprisingly one can hardly talk about any form of cultural transfer between the British and Polish popular theatre and drama in that period. The analysis of the Warsaw repertoire, travel recollections to the United Kingdom and press articles, reveal that even though the Polish nation treated the UK as a point of reference, it consistently rejected the British theatre at large and theatre entertainment in particular, and considered it ‘crude’ and in bad taste. I claim that the geopolitical situation of Poland cannot alone account for this puzzle.\",\"PeriodicalId\":53867,\"journal\":{\"name\":\"Britain and the World\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-02-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Britain and the World\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.3366/BRW.2019.0314\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Britain and the World","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.3366/BRW.2019.0314","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HISTORY","Score":null,"Total":0}
Beyond the Empire: British Influence on the Warsaw Theatre Scene in the Nineteenth Century
In the late nineteenth century British culture, politics and history were customary topics in Polish newspapers, and Shakespeare's dramas were the most often performed classic texts on the Warsaw theatre stage. However, in this paper focusing on Warsaw seasons 1814/1815–1900/1901 I demonstrate that surprisingly one can hardly talk about any form of cultural transfer between the British and Polish popular theatre and drama in that period. The analysis of the Warsaw repertoire, travel recollections to the United Kingdom and press articles, reveal that even though the Polish nation treated the UK as a point of reference, it consistently rejected the British theatre at large and theatre entertainment in particular, and considered it ‘crude’ and in bad taste. I claim that the geopolitical situation of Poland cannot alone account for this puzzle.