皮卡迪利大厅的肉毒杆菌展览

IF 0.3 Q4 ANTHROPOLOGY Anthropological Journal of European Cultures Pub Date : 2022-09-01 DOI:10.3167/ajec.2022.310203
Marina Cavalcante Vieira
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引用次数: 0

摘要

1883年,伦敦最受欢迎的剧院皮卡迪利厅(Piccadilly Hall)展出了五部巴西Botocudos。这次展览的目的是在欧洲复制去年里约热内卢国家博物馆在巴西人类学展览上展出的七件Botocudos所取得的成功。由英国和爱尔兰人类学研究所的科学家测量和研究,Botocudos每天在伦敦、曼彻斯特和谢菲尔德为公众表演,直到它们被卖给P.T.巴纳姆,加入了贝利和巴纳姆马戏团的大民族学大会的美国巡演。本文强调在这三种不同的展览形式和形式中,科学与奇观之间的矛盾轨迹。插图,海报,照片和报纸报道作为研究来源。
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The Exhibition of Botocudos at Piccadilly Hall
In 1883 five Brazilian Botocudos were exhibited at Piccadilly Hall, London's popular theatre. This exhibition aimed to replicate in Europe the success achieved by the display of seven Botocudos, held the previous year by the National Museum of Rio de Janeiro at the Brazilian Anthropological Exhibition. Measured and studied by scientists from the Anthropological Institute of Great Britain and Ireland, the Botocudos performed daily for the public in London, Manchester, and Sheffield, until they were sold to P.T. Barnum, joining the US tour of the Grand Ethnological Congress of the Bailey and Barnum Circus. This article emphasises the ambivalent trajectory between science and spectacle in these three different exhibition formats and versions. Illustrations, posters, photographs and newspaper reports are relied on as research sources.
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CiteScore
1.00
自引率
0.00%
发文量
10
审稿时长
16 weeks
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