编者按:眼见为实

IF 0.2 3区 艺术学 0 ART SOURCE-NOTES IN THE HISTORY OF ART Pub Date : 2021-01-01 DOI:10.1086/712858
John Cunnally
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引用次数: 0

摘要

几年前,我在爱荷华州立大学(Iowa State University)教授摄影史(Emily Godbey博士现在教这门课),有时市民会到我的办公室来,让我评论他们在阁楼或谷仓里发现的一张古董照片,并推测它的市场价值。一位女士带来了一幅19世纪画室里的家庭集体肖像。她认为这是一张未知的、未发表的亚伯拉罕·林肯、他的妻子和孩子们的照片。如果这一评估被证明是正确的,这幅图像肯定会被视为一项有价值且具有历史意义的发现。我告诉她照片中的男人对我来说不太像林肯但更重要的是这张照片看起来像是一张明胶纸的橱柜卡片,这个过程至少在十年后才被使用
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Editor’s Note: What We See Doth Lie
Some years ago I taught History of Photography at Iowa State University (Dr. Emily Godbey now teaches that course), and sometimes citizens would visit my office asking me to comment on an antique photo they found in their attic or barn and to speculate about its market value. One woman brought in a nineteenth-century studio portrait of a family group. She believed it was an unknown and unpublished photograph of Abraham Lincoln, his wife, and children. If this assessment proved true, the image would certainly count as a valuable and historically significant discovery. I told her that the man in the picture did not look much like Lincoln to me but more important was the fact that the photo appeared to be a gelatin-paper cabinet card, a process not in use until at least ten years
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