米列科维奇的解放诗歌:形而上学观点及其新象征主义诗学解读的可能性

Olga Mihajlović-Blagojević
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引用次数: 0

摘要

布兰科·米列科维奇是一位以(新)象征主义传统构建自己的诗歌世界的诗人。他在自己的随笔中表达了自己的观点,在随笔中,他描绘了“解放”的诗歌,这是一首独立于诗人而继续存在的诗歌。本文研究了诗人赋予诗歌自主性后诗歌的“生命”,并探讨了诗歌阐释的自由度。然而,在分析中,我们仍然以作者自己给出的台词为指导。在文章的第二部分,我们分析了他在一些诗歌中使用的符号,这些符号可以在基督教的背景下解释。米列科维奇是一位具有广泛形而上学视野的诗人。他探索了存在于身体感官之外的领域,他的诗歌哲学包含了赫拉克利特的“火”等动机,它承载着新生命的可能性。在虚无主义与死亡、凤凰鸟与“墙上的天使”之间,他的诗歌以其独特的声音不断激励着人们。
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Emancipated poems of Branko Miljković: Metaphysical views and the possibility of interpreting his neosymbolical poetics
Branko Miljković was a poet who built his poetic world in the tradition of (neo)symbolism. He presented his views in his essays where he depicted the "emancipated" poem, a poem which continues its life independently of the poet himself. In this article, we have researched the "life" of the poem after the poet had granted it its autonomy and we have explored the degree of freedom in its interpretation. However, in the analysis we have still been guided by the lines given by the author himself. In the second part of the article we have analysed the symbols that he used in some of his poems that might be interpreted in the context of Christianity. Miljković was a poet of a wide metaphysical scope. He explored the spheres that exist beyond the grasp of physical senses, and his poetic philosophy included the motives such as Heraclitus' fire which carries the possibility of a new life. Balancing on the thin line between nihilism and death, between the Phoenix bird and the "angel on the wall", his poetry continues to inspire with its unique voice.
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