拉文塔的装配艺术

IF 0.3 2区 艺术学 0 ART Art History Pub Date : 2022-10-11 DOI:10.1111/1467-8365.12678
Claudia Brittenham
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引用次数: 0

摘要

纪念性雕塑的意义怎么会是短暂的呢?在La Venta,从绿石雕像到巨大的玄武岩雕塑的物品被回收、重新加工,并在景观中移动,它们的新配置和联系创造了新的意义,并实现了新的仪式互动。本文认为集合,而不仅仅是单个作品,是艺术史分析的一个重要范畴。通过考虑石碑、细胞、雕像和巨大的头部的不同材料,以及短暂材料在建造具有仪式意义的组合中所起的作用,我探索了La Venta纪念性、记忆和遗忘之间的联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。

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The Art of Assemblage at La Venta

How might the meaning of monumental sculpture be ephemeral? At La Venta, objects from greenstone figurines to massive basalt sculptures were recycled, reworked, and moved around the landscape, their new configurations and associations creating new kinds of meaning and enabling new kinds of ritual interaction. This essay considers the assemblage, and not just the individual work, as an important category of art-historical analysis. By considering the divergent materialities of stelae, celts, figurines, and colossal heads, as well as the role that ephemeral materials played in the construction of ritually significant assemblages, I explore the connections between monumentality, memory, and forgetting at La Venta.

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来源期刊
CiteScore
0.70
自引率
20.00%
发文量
51
期刊介绍: Art History is a refereed journal that publishes essays and reviews on all aspects, areas and periods of the history of art, from a diversity of perspectives. Founded in 1978, it has established an international reputation for publishing innovative essays at the cutting edge of contemporary scholarship, whether on earlier or more recent periods. At the forefront of scholarly enquiry, Art History is opening up the discipline to new developments and to interdisciplinary and cross-cultural approaches.
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