个人就是政治

Q3 Arts and Humanities Matatu Pub Date : 2022-10-20 DOI:10.1163/18757421-05202008
Felicia Annin
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引用次数: 0

摘要

在这篇文章中,我假设Ngũgĩ的全部作品呈现了许多爱、背叛和通奸的例子。虽然爱情和通奸仅限于个人空间,但在Ngũgĩ的作品中,背叛同时出现在个人和政治领域。在小说《一粒麦子》中,个人领域的背叛与政治领域的背叛并行不悖。政治领域内的背叛对人物的个人关系有影响。在Ngũgĩ的叙事中,复杂而分裂的人物背叛了政治理想。剧中人物在个人和政治层面上都难逃背叛。因此,个人背叛和政治背叛被混为一谈,使其成为一个关键的研究领域。这项研究试图强调两种形式的背叛都是至关重要的,它们之间的关系是不可分割的。Ngũgĩ的《一粒麦子》(1967)中的个人背叛发生在恋爱关系中;更具体地说,背叛表现为婚姻中的通奸,而政治背叛表现为背叛自己的国家。
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The Personal is Political
In this article, I posit that Ngũgĩ’s oeuvre presents numerous instances of love, betrayal, and adultery. While love and adultery are limited to personal spaces, betrayal occurs in both the personal and political spheres in Ngũgĩ’s works. In the novel A Grain of Wheat, betrayals in the personal sphere are juxtaposed with betrayals in the political sphere. The betrayal within the political sphere has implications for the personal relations of the characters. Political ideals are betrayed by the complex and divided characters in Ngũgĩ’s narratives. The characters are not spared betrayal on personal and political levels. The personal and political betrayals thus are conflated and make it a critical area of study. This study seeks to emphasise that both forms of betrayal are crucial and the relationship between them is inseparable. The personal betrayal in Ngũgĩ’s A Grain of Wheat (1967) occurs in romantic relationships; more specifically, the betrayal is represented by adultery in marriage, while the political betrayal emerges as betraying one’s country.
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来源期刊
Matatu
Matatu Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
9
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