穆纳、乌里奥和托拉基传说中第一个国王的故事的主题

Zakiyah Mustafa Husba, L. Aso, Irianto Ibrahim
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摘要

本研究旨在揭示第一任国王起源传说故事中母题的结构,作为了解But和Tolaki族群的历史文化知识的一步,希望能为苏拉威西东南地区文学的保护和发展提供参考。本研究的目的是从穆纳、沃里奥和托拉基的传说中描述第一位国王起源故事的主题模式。本研究基于Alan Dundes的动机理论。动机理论用于寻找故事中每个项目或事件序列的动机类别。图案图案以表格和图式的形式排列,以Stith Thompson索引图案为基础。本研究采用的方法是定性方法。数据收集技术与图书馆阅读和笔记技术,以及记录和笔记采访技术。数据处理采用三角测量技术。研究数据采用定性描述技术,通过两个阶段,即索引母题和图案母题检查。分析结果表明,三个故事共有9个主题,分别是神话主题、魔法主题、异世界主题、智慧与愚蠢主题、命运的恢复主题、社会主题、自然的残酷主题、性动机主题。此外,在穆纳,沃里奥和托拉基的三个国王的故事中发现了四个主要的主题或相同的主题,即神话主题,其他世界,明智和愚蠢,以及社会主题。关键词:母题,传说,穆纳,沃里奥,托拉基
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POLA MOTIF CERITA ASAL-USUL RAJA PERTAMA DALAM LEGENDA MUNA, WOLIO, DAN TOLAKI
In an effort to reveal the structure of the motifs in the legend stories of the origins of the first king as a step in obtaining historical and cultural knowledge of But and Tolaki ethnic communities, it is hoped that this research can be a frame of reference for the protection and development of Southeast Sulawesi regional literature. The purpose of this study is to describe  patterning of the motifs of the origin story of the first king from the legends of Muna, Wolio, and Tolaki. This research is based on the motive theory of Alan Dundes. Motive theory is used to find the class of motives for each item or sequence of events in the story. The patterns of motifs in the form of tables and schemes are arranged based on the Stith Thompson index motifs. The method used in this research is qualitative method. Data collection techniques with library reading and note-taking techniques, as well as recording and note-taking interview techniques. The data processing is done by triangulation technique. The research data was examined using qualitative descriptive techniques through 2 stages, namely indexing motifs and patterning motifs. The results of the analysis show that there are 9 motifs in the three stories, mythological motifs, magic, other worlds, wise and foolish, restoration of fate, society, natural cruelty, and sex motives. Furthermore, 4 dominant motifs or the same motif are found in the 3 stories of the first kings of Muna, Wolio, and Tolaki, namely mythological motifs, other worlds, wise and foolish, and society motifs.Keywords: motif, legend, Muna, Wolio, and Tolaki
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RAGAM HIAS SEBAGAI IDENTITAS BUDAYA KABUPATEN LABUHANBATU NILAI SEJARAH TOPONIMI ANAK SUNGAI MUSI DI SEBERANG ULU 1 PALEMBANG SEJARAH PERKEMBANGAN MAKANAN INDONESIA DARI ABAD KE 10 HINGGA MASA PENDUDUKAN JEPANG MENATA PURA PAKUALAMAN: PRAKTIK REORGANISASI AGRARIA DI REGENTSCHAP ADIKARTO MENATA PURA PAKUALAMAN: PRAKTIK REORGANISASI AGRARIA DI REGENTSCHAP ADIKARTO EKSISTENSI BATIK DALAM DIPLOMASI INDONESIA-AFRIKA SELATAN (1990-2013)
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