“在这类事情上,你可以有很多自由”:在数字时代,黑胶唱片和卡带唱片可以分开发行

IF 2.3 1区 文学 Q1 COMMUNICATION Media, Culture & Society Pub Date : 2023-06-02 DOI:10.1177/01634437231179347
Benjamin Duester
{"title":"“在这类事情上,你可以有很多自由”:在数字时代,黑胶唱片和卡带唱片可以分开发行","authors":"Benjamin Duester","doi":"10.1177/01634437231179347","DOIUrl":null,"url":null,"abstract":"Releasing music on cassettes and 7-inch singles has been a part of DIYmusic scenes for a long time. As music production, distribution and consumption have been subjected to a substantial digital shift within the past two decades, one might expect cassette tapes or vinyl records to be a thing of the past, yet they persevere as indicated by thousands of new DIY releases every year. This article investigates the cultural and economic significance of split releases in contemporary DIY music scenes. In contrast to music streaming or digital downloads distributed online, it argues that the technological limitations and material idiosyncrasies of cassette tapes and vinyl records used for split releases allow for creative collaboration and intentional dissociation that contextualise people throughout various cultural and geographical domains. As a result, split releases are specifically used to contrast the overwhelming possibilities that digital music production and distribution pose.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"31 1","pages":"1370 - 1386"},"PeriodicalIF":2.3000,"publicationDate":"2023-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘There’s a lot of freedom you can have with that kind of thing’: vinyl and cassette split releases in the digital age\",\"authors\":\"Benjamin Duester\",\"doi\":\"10.1177/01634437231179347\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Releasing music on cassettes and 7-inch singles has been a part of DIYmusic scenes for a long time. As music production, distribution and consumption have been subjected to a substantial digital shift within the past two decades, one might expect cassette tapes or vinyl records to be a thing of the past, yet they persevere as indicated by thousands of new DIY releases every year. This article investigates the cultural and economic significance of split releases in contemporary DIY music scenes. In contrast to music streaming or digital downloads distributed online, it argues that the technological limitations and material idiosyncrasies of cassette tapes and vinyl records used for split releases allow for creative collaboration and intentional dissociation that contextualise people throughout various cultural and geographical domains. As a result, split releases are specifically used to contrast the overwhelming possibilities that digital music production and distribution pose.\",\"PeriodicalId\":18417,\"journal\":{\"name\":\"Media, Culture & Society\",\"volume\":\"31 1\",\"pages\":\"1370 - 1386\"},\"PeriodicalIF\":2.3000,\"publicationDate\":\"2023-06-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Media, Culture & Society\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/01634437231179347\",\"RegionNum\":1,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media, Culture & Society","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/01634437231179347","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0

摘要

长期以来,用磁带和7英寸单曲发行音乐一直是diy音乐场景的一部分。在过去的二十年里,随着音乐的制作、发行和消费经历了一场实质性的数字化转变,人们可能会认为盒式磁带或黑胶唱片将成为过去,但它们却坚持了下来,每年都有成千上万的新DIY发行。这篇文章探讨了在当代DIY音乐场景中分裂发行的文化和经济意义。与在线分发的音乐流媒体或数字下载相比,它认为,用于分版发行的盒式磁带和黑胶唱片的技术限制和材料特性允许创造性合作和有意分离,从而将不同文化和地理领域的人们置于背景中。因此,拆分发行被专门用来对比数字音乐制作和发行带来的巨大可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
‘There’s a lot of freedom you can have with that kind of thing’: vinyl and cassette split releases in the digital age
Releasing music on cassettes and 7-inch singles has been a part of DIYmusic scenes for a long time. As music production, distribution and consumption have been subjected to a substantial digital shift within the past two decades, one might expect cassette tapes or vinyl records to be a thing of the past, yet they persevere as indicated by thousands of new DIY releases every year. This article investigates the cultural and economic significance of split releases in contemporary DIY music scenes. In contrast to music streaming or digital downloads distributed online, it argues that the technological limitations and material idiosyncrasies of cassette tapes and vinyl records used for split releases allow for creative collaboration and intentional dissociation that contextualise people throughout various cultural and geographical domains. As a result, split releases are specifically used to contrast the overwhelming possibilities that digital music production and distribution pose.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
6.40
自引率
12.10%
发文量
101
期刊介绍: Media, Culture & Society provides a major international forum for the presentation of research and discussion concerning the media, including the newer information and communication technologies, within their political, economic, cultural and historical contexts. It regularly engages with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method. An interdisciplinary journal, it welcomes contributions in any relevant areas and from a worldwide authorship.
期刊最新文献
The streaming industry and the platform economy: An analysis Appearing to disappear: Ordering visibility in a Turkish border spectacle By sharing our loss, we fight: Collective expressions of grief in the digital age TikTok and the platformisation from China: Geopolitical anxieties, repetitive creativities and future imaginaries Authentic cult: media representations of cultural consumption and legitimization of cultural hierarchies
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1