{"title":"透视:《十日谈7.5》中关于自由的性别视角","authors":"Brittany Asaro","doi":"10.1086/716238","DOIUrl":null,"url":null,"abstract":"THE FIFTH TALE OF DAY 7 in Giovanni Boccaccio’s Decameron features a woman rebelling against her jealous husband, who has confined her in their home. From a structural viewpoint,Decameron 7.5 could be considered the very center of the collection’s feminist worldview. It is the central story set in the womb-like Valley ofWomen, the topic is the tricks thatwomen play upon their husbands, and the narrator is Fiammetta, whom Boccaccio often presents as an embodiment of a female perspective. The story begins with the brigata’s unanimous praise of the previous tale’s protagonist for having done to an evil man (her jealous husband) exactly what he deserved (defaming him and inciting an attack upon him).Whatever appreciation for women’s autonomy this reaction seems to suggest, however, is shattered by the intrusion, in midsentence, of this day’s ruler—il re: “Posto aveva fine la Lauretta al suo ragionamento; e avendo già ciascun commendata la donna che ella bene avesse fatto e come a quel cattivo si conveniva, il re, per non perder tempo, verso la Fiammetta voltatosi, piacevolmente il carico le ’mpose del novellare.” Day 7, after all, is not a","PeriodicalId":42173,"journal":{"name":"I Tatti Studies","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An Inside View: Gendered Perspectives on Freedom in Decameron 7.5\",\"authors\":\"Brittany Asaro\",\"doi\":\"10.1086/716238\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"THE FIFTH TALE OF DAY 7 in Giovanni Boccaccio’s Decameron features a woman rebelling against her jealous husband, who has confined her in their home. From a structural viewpoint,Decameron 7.5 could be considered the very center of the collection’s feminist worldview. It is the central story set in the womb-like Valley ofWomen, the topic is the tricks thatwomen play upon their husbands, and the narrator is Fiammetta, whom Boccaccio often presents as an embodiment of a female perspective. The story begins with the brigata’s unanimous praise of the previous tale’s protagonist for having done to an evil man (her jealous husband) exactly what he deserved (defaming him and inciting an attack upon him).Whatever appreciation for women’s autonomy this reaction seems to suggest, however, is shattered by the intrusion, in midsentence, of this day’s ruler—il re: “Posto aveva fine la Lauretta al suo ragionamento; e avendo già ciascun commendata la donna che ella bene avesse fatto e come a quel cattivo si conveniva, il re, per non perder tempo, verso la Fiammetta voltatosi, piacevolmente il carico le ’mpose del novellare.” Day 7, after all, is not a\",\"PeriodicalId\":42173,\"journal\":{\"name\":\"I Tatti Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"I Tatti Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/716238\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"I Tatti Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/716238","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
摘要
在乔瓦尼·薄伽丘的《十日谈》中,第七天的第五个故事讲述了一个女人反抗她嫉妒的丈夫,他把她关在家里。从结构的角度来看,《十日谈7.5》可以被认为是该系列女权主义世界观的核心。它的中心故事发生在子宫般的女人谷,主题是女人对丈夫的诡计,叙述者是菲亚梅塔,薄伽丘经常把她描绘成女性视角的化身。故事开始时,brigata一致赞扬前一个故事的主人公,因为他对一个邪恶的人(她嫉妒的丈夫)做了他应得的事情(诽谤他并煽动对他的攻击)。然而,无论这种反应似乎暗示着对女性自主权的赞赏,它都被当今统治者的插话粉碎了:“Posto aveva fine la Lauretta al suo ragionamento;他说:“我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是说,我的意思是我的意思。”第7天,毕竟不是一个
An Inside View: Gendered Perspectives on Freedom in Decameron 7.5
THE FIFTH TALE OF DAY 7 in Giovanni Boccaccio’s Decameron features a woman rebelling against her jealous husband, who has confined her in their home. From a structural viewpoint,Decameron 7.5 could be considered the very center of the collection’s feminist worldview. It is the central story set in the womb-like Valley ofWomen, the topic is the tricks thatwomen play upon their husbands, and the narrator is Fiammetta, whom Boccaccio often presents as an embodiment of a female perspective. The story begins with the brigata’s unanimous praise of the previous tale’s protagonist for having done to an evil man (her jealous husband) exactly what he deserved (defaming him and inciting an attack upon him).Whatever appreciation for women’s autonomy this reaction seems to suggest, however, is shattered by the intrusion, in midsentence, of this day’s ruler—il re: “Posto aveva fine la Lauretta al suo ragionamento; e avendo già ciascun commendata la donna che ella bene avesse fatto e come a quel cattivo si conveniva, il re, per non perder tempo, verso la Fiammetta voltatosi, piacevolmente il carico le ’mpose del novellare.” Day 7, after all, is not a