{"title":"霍伊尔顿学院舞台门上的铭文和被遗忘的旅行演员的鬼魂","authors":"J. Hayward","doi":"10.1080/14443058.2023.2203692","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article provides an archaeologist’s reflection on some forgotten cultural and historical artefacts. Since the early 1920s, performing artists and variety acts who visited the Hoyleton Institute Hall in the Mid North of South Australia inscribed their names on the inside of the stage doors as a memento of their visit. Towards the end of the 20th century, the old railway town of Hoyleton and its century-old institute became victims of change, modernisation and progress, leaving the memories of the once popular travelling performers to linger in obscurity on the stage, immortalised on the back of the likewise forgotten stage doors. In this article, I animate some of the performers whose names are inscribed on the stage door through historical documents, juxtaposing the inscriptions with other forms of spontaneous mark-making such as rock art and graffiti to contextualise a cultural phenomenon. I also reflect on the fragility of some cultural heritage and the significance of small and modest sites such as the Hoyleton Institute Hall.","PeriodicalId":51817,"journal":{"name":"Journal of Australian Studies","volume":"2 1","pages":"566 - 589"},"PeriodicalIF":0.4000,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Hoyleton Institute Stage Door Inscriptions and the Ghosts of Forgotten Travelling Performers\",\"authors\":\"J. Hayward\",\"doi\":\"10.1080/14443058.2023.2203692\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article provides an archaeologist’s reflection on some forgotten cultural and historical artefacts. Since the early 1920s, performing artists and variety acts who visited the Hoyleton Institute Hall in the Mid North of South Australia inscribed their names on the inside of the stage doors as a memento of their visit. Towards the end of the 20th century, the old railway town of Hoyleton and its century-old institute became victims of change, modernisation and progress, leaving the memories of the once popular travelling performers to linger in obscurity on the stage, immortalised on the back of the likewise forgotten stage doors. In this article, I animate some of the performers whose names are inscribed on the stage door through historical documents, juxtaposing the inscriptions with other forms of spontaneous mark-making such as rock art and graffiti to contextualise a cultural phenomenon. I also reflect on the fragility of some cultural heritage and the significance of small and modest sites such as the Hoyleton Institute Hall.\",\"PeriodicalId\":51817,\"journal\":{\"name\":\"Journal of Australian Studies\",\"volume\":\"2 1\",\"pages\":\"566 - 589\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-04-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Australian Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/14443058.2023.2203692\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Australian Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/14443058.2023.2203692","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
The Hoyleton Institute Stage Door Inscriptions and the Ghosts of Forgotten Travelling Performers
ABSTRACT This article provides an archaeologist’s reflection on some forgotten cultural and historical artefacts. Since the early 1920s, performing artists and variety acts who visited the Hoyleton Institute Hall in the Mid North of South Australia inscribed their names on the inside of the stage doors as a memento of their visit. Towards the end of the 20th century, the old railway town of Hoyleton and its century-old institute became victims of change, modernisation and progress, leaving the memories of the once popular travelling performers to linger in obscurity on the stage, immortalised on the back of the likewise forgotten stage doors. In this article, I animate some of the performers whose names are inscribed on the stage door through historical documents, juxtaposing the inscriptions with other forms of spontaneous mark-making such as rock art and graffiti to contextualise a cultural phenomenon. I also reflect on the fragility of some cultural heritage and the significance of small and modest sites such as the Hoyleton Institute Hall.
期刊介绍:
The Journal of Australian Studies (JAS) is the journal of the International Australian Studies Association (InASA). In print since the mid-1970s, in the last few decades JAS has been involved in some of the most important discussion about the past, present and future of Australia. The Journal of Australian Studies is a fully refereed, international quarterly journal which publishes scholarly articles and reviews on Australian culture, society, politics, history and literature. The editorial practice is to promote and include multi- and interdisciplinary work.