佩内洛普的脚

IF 0.2 4区 历史学 0 CLASSICS RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE Pub Date : 2015-11-27 DOI:10.1017/rmu.2015.7
M. Buchan
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引用次数: 1

摘要

将故事简化为普遍主题既有危险,也有乐趣。《奥德赛》似乎非常清楚这一点。它的部分吸引力在于,这个单身男子回家的故事是否能代表人类意义的更大问题。我们认识这些熟悉的故事时的愉悦反映了诗中人物认识奥德修斯时的愉悦。我们希望这样的事件具有普遍性,因为熟悉事物的乐趣能帮助我们在自己的旅程中穿越生命的危险和不确定性。但是,正如越来越多的学术参考书目提醒我们的那样,对这首诗的认可远非易事。这首诗对谜语和诡计的喜爱意味着,任何因被认可而带来的喜悦,都与诗中怀疑的修辞和主人公近乎偏执的自我保护需求相冲突。这种来来回回也是这首诗更广泛的节俭经济的一部分,就好像我们必须用迟来的反思的痛苦来偿还我们在认可中获得的任何快乐。
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PENELOPE'S FOOT
There are dangers and pleasures in reducing stories to universal themes. The Odyssey seems all too aware of this. Part of its appeal comes from whether this tale of a single man returning home can stand for far greater questions of what it means to be human. Our pleasure as we recognize these familiar stories mirrors the delight of the poem's characters as they recognize Odysseus. We want such events to be universal, because the pleasure of the familiar helps us on our own journey through the dangers and uncertainties of life. But, as an increasingly vast scholarly bibliography reminds us, recognition in this poem is far from simple. The poem's delight in riddles and trickery means that the joy of any delight in recognition conflicts with its rhetoric of suspicion and the almost paranoid need of its hero for self-preservation. This to and fro is also part of the poem's wider economy of thrift, as if we must pay for any pleasure we gain in recognition with the pain of belated reflection.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
7
期刊最新文献
CONFLICT, TRAGEDY, AND INTERRACIALITY: BOB THOMPSON PAINTS VERGIL'S CAMILLA THE THIRD LIFECYCLE OF PHILOKLEON IN ARISTOPHANES’ WASPS METAGENRE AND THE COMPETENT AUDIENCE OF PLAUTUS’ CAPTIVI ERASING THE AETHIOPIAN IN CICERO'S POST REDITUM IN SENATU RMU volume 51 issue 2 Cover and Back matter
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