《精神疾病心理学与福柯心理学》

F. A. Silveira, A. P. Oliveira, R. T. Simanke
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摘要

米歇尔·福柯调查了"思想与真理的关系的历史"并将身体,灵魂和心灵作为历史的和话语的发明而非自然化,它们只有在被纳入真理的认识论安排中才有意义,在这种情况下,现代思想的出现,特别是关于人类科学的,一般来说。本研究对福柯在《精神疾病与心理学》一书中关于心理学的演讲顺序进行了研究,旨在通过质疑被认为是心理异常的行为的归化,为理解心理学演讲的历史、心理主体和客体的建构及其主体性和同时代的影响提供依据;以及将同样的有机病理学原理应用于精神病理学,再加上将心理疾病归化为单一物种的假设,将通过精神和有机体之间复杂的表达叠加,创造出精神和有机病理学之间真正统一的幻觉。人们发现,对于福柯来说,某种心理和个人历史的病理学不应该被简化为主体存在和个人感知的有限现象,因为这可能在不经意间导致主体对其自身行为固有的症状-有机-心理-的指责,以便理解心理人作为主体在人类文化和社会历史上的出现。特别强调精神疾病人物的历史生产。
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A Psicologia em Doença Mental e Psicologia de Michel Foucault
Michel Foucault investigates “the history of the relations that the thought keeps with the truth” and disnaturalizes body, soul and psiqué as historical and discursive inventions, which have meaning only if included into the epistemique arrangements productions of truths, in the case, the emergence of modern thought, specially about human sciences, in general. This research studies the Foucault’s order of the speech on Psychology, in his book “Mental Ilness and Psychology”, with the aim of providing allowances for understanding the history of the speeches of Psychology, about the building of psychological subject and object and its subjectivateurs and contemporaries effects, by questioning the naturalization of conducts considered psychologically abnormal; as well as the application of the same principles of organic pathology to mental pathology, which, together with the postulate of the naturalization of psychological diseases as unitary species, would create the illusion of a real unity between mental and organic pathology, through the complex enunciative imbrication between mind and organism. It was found that for Foucault, the pathology of a certain psychological and individual history should not be reduced to the restricted phenomena of the existence and personalistic perception of the subject, which, inadvertently, could generate a blaming of the subject on the symptoms – organic-mental – inherent to his own conduct, in order to understand the emergence of homo psychologicus as a subject in the cultural and social history of humanity, with special emphasis on the historical production of mental illness figures.
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