在Eimear McBride的《小波西米亚人》中体现作为一种表演的后人类主义形式的物质创作

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Avant Pub Date : 2021-01-01 DOI:10.26913/avant.2021.03.11
Eimear McBride, Katarzyna Ostalska
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引用次数: 0

摘要

本文从新唯物主义的角度审视了Eimear McBride(2016)的第二部小说《小波西米亚人》(The Lesser Bohemians),特别强调了Karen Barad的“matter”概念和“performing matter”概念。除了巴拉德,这篇文章还引用了n·凯瑟琳·海尔斯、唐娜·哈拉威和罗西·布雷多蒂的作品,建议对麦克布莱德的小说进行后人文主义的解读。本文将《小波西米亚人》中的“化身”从物质性和表演性两个方面进行考察,认为它的“作者”是文本和女性身体。《小波西米亚人》的习语被仔细研究,以寻找与现代科学的类比,尤其是量子物理学,这将麦克布莱德的小说(2016)与巴拉德的研究联系起来。
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Embodiment as a Performatively Posthumanist Form of Material Authorship in ‘The Lesser Bohemians’ by Eimear McBride
The article examines the second novel of Eimear McBride (2016) The Lesser Bohemians from a viewpoint of New Materialisms, with a special emphasis on Karen Barad’s concept of “mattering” and the notion of performative matter. Apart from Barad, the article draws upon the works of N. Katherine Hayles, Donna Haraway and Rosi Braidotti, to suggest a posthumanist reading of McBride’s novel. The article examines embodiment in The Lesser Bohemians as both material and performative, arguing that its matter “authors” the text and the female body. The idiom of The Lesser Bohemians goes under scrutiny to trace analogies with modern science, especially quantum physics, which links McBride’s novel (2016) with Barad’s research.
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Avant
Avant HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
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审稿时长
8 weeks
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