{"title":"“我祈祷我们不会让这个时刻从我们身边溜走”:基督教音乐会电影和灵性体验","authors":"Jim Y. Trammell","doi":"10.1080/15348423.2016.1248185","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article analyzes the Christian concert film Live in Miami: Welcome to the Aftermath to investigate how mass media evoke numinous experiences. Using a framework that locates technological determinism within theories of religious encounters, the analysis explores how Christian concert films create numinous experiences through shot composition, editing, and content selection. The article argues that mass media technologies and aesthetics can create expectations of religious encounters and challenges the use of mass media to manufacture religious experiences.","PeriodicalId":55954,"journal":{"name":"Journal of Media and Religion","volume":"1 1","pages":"210 - 222"},"PeriodicalIF":0.7000,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"“I Pray We Won’t Let This Moment Pass Us By”: Christian Concert Films and Numinous Experiences\",\"authors\":\"Jim Y. Trammell\",\"doi\":\"10.1080/15348423.2016.1248185\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article analyzes the Christian concert film Live in Miami: Welcome to the Aftermath to investigate how mass media evoke numinous experiences. Using a framework that locates technological determinism within theories of religious encounters, the analysis explores how Christian concert films create numinous experiences through shot composition, editing, and content selection. The article argues that mass media technologies and aesthetics can create expectations of religious encounters and challenges the use of mass media to manufacture religious experiences.\",\"PeriodicalId\":55954,\"journal\":{\"name\":\"Journal of Media and Religion\",\"volume\":\"1 1\",\"pages\":\"210 - 222\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2016-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Media and Religion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15348423.2016.1248185\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Media and Religion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15348423.2016.1248185","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
“I Pray We Won’t Let This Moment Pass Us By”: Christian Concert Films and Numinous Experiences
ABSTRACT This article analyzes the Christian concert film Live in Miami: Welcome to the Aftermath to investigate how mass media evoke numinous experiences. Using a framework that locates technological determinism within theories of religious encounters, the analysis explores how Christian concert films create numinous experiences through shot composition, editing, and content selection. The article argues that mass media technologies and aesthetics can create expectations of religious encounters and challenges the use of mass media to manufacture religious experiences.