{"title":"萨巴齐奥斯的手势和符号","authors":"S. Berndt","doi":"10.30549/OPATHROM-11-08","DOIUrl":null,"url":null,"abstract":"The material evidence left from the cult of Sabazios is meagre, apart from sculpted bronze hands dating to the Roman Empire. The hand is held in a certain pose, the so-called benedictio Latina gesture, and the hand was often covered with depictions of various objects and symbols. The bronze hands were probably attached to staffs and carried around in processions. This practice most likely spread via the channels of the Roman army during the Early Imperial period, but the gesture existed much earlier. The gesture is found on Attic black- and red-figured pottery, and is frequently associated with Hermes in his role as instructor and Psychopompos. From the beginning of the Hellenistic period the gesture was mainly used as an indication of speech, and for knowledge transmitted through speech. There are several examples of how the gesture was used to indicate the knowledge revealed through the initiations of mystery cults. Hermes is closely associated with Sabazios and is represented on the bronze hands, probably because of his role as instructor and Psychopompos; i.e. the position played by the mystagogue in the Sabazian mysteries. The gesture of the hands simply denoted the knowledge acquired through the initiation. The symbols on the hands are often associated with the Underworld, and it is suggested that knowledge acquired in the Sabazian mysteries dealt with life after death and the Underworld.","PeriodicalId":51997,"journal":{"name":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","volume":"37 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The hand gesture and symbols of Sabazios\",\"authors\":\"S. Berndt\",\"doi\":\"10.30549/OPATHROM-11-08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The material evidence left from the cult of Sabazios is meagre, apart from sculpted bronze hands dating to the Roman Empire. The hand is held in a certain pose, the so-called benedictio Latina gesture, and the hand was often covered with depictions of various objects and symbols. The bronze hands were probably attached to staffs and carried around in processions. This practice most likely spread via the channels of the Roman army during the Early Imperial period, but the gesture existed much earlier. The gesture is found on Attic black- and red-figured pottery, and is frequently associated with Hermes in his role as instructor and Psychopompos. From the beginning of the Hellenistic period the gesture was mainly used as an indication of speech, and for knowledge transmitted through speech. There are several examples of how the gesture was used to indicate the knowledge revealed through the initiations of mystery cults. Hermes is closely associated with Sabazios and is represented on the bronze hands, probably because of his role as instructor and Psychopompos; i.e. the position played by the mystagogue in the Sabazian mysteries. The gesture of the hands simply denoted the knowledge acquired through the initiation. The symbols on the hands are often associated with the Underworld, and it is suggested that knowledge acquired in the Sabazian mysteries dealt with life after death and the Underworld.\",\"PeriodicalId\":51997,\"journal\":{\"name\":\"Opuscula-Annual of the Swedish Institutes at Athens and Rome\",\"volume\":\"37 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2018-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Opuscula-Annual of the Swedish Institutes at Athens and Rome\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30549/OPATHROM-11-08\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Opuscula-Annual of the Swedish Institutes at Athens and Rome","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30549/OPATHROM-11-08","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
The material evidence left from the cult of Sabazios is meagre, apart from sculpted bronze hands dating to the Roman Empire. The hand is held in a certain pose, the so-called benedictio Latina gesture, and the hand was often covered with depictions of various objects and symbols. The bronze hands were probably attached to staffs and carried around in processions. This practice most likely spread via the channels of the Roman army during the Early Imperial period, but the gesture existed much earlier. The gesture is found on Attic black- and red-figured pottery, and is frequently associated with Hermes in his role as instructor and Psychopompos. From the beginning of the Hellenistic period the gesture was mainly used as an indication of speech, and for knowledge transmitted through speech. There are several examples of how the gesture was used to indicate the knowledge revealed through the initiations of mystery cults. Hermes is closely associated with Sabazios and is represented on the bronze hands, probably because of his role as instructor and Psychopompos; i.e. the position played by the mystagogue in the Sabazian mysteries. The gesture of the hands simply denoted the knowledge acquired through the initiation. The symbols on the hands are often associated with the Underworld, and it is suggested that knowledge acquired in the Sabazian mysteries dealt with life after death and the Underworld.
期刊介绍:
Opuscula is published yearly by the Swedish Institutes at Athens and Rome. First issued in 2008 (no. 1), Opuscula replaces the annuals Opuscula Atheniensia and Opuscula Romana published by the Swedish Institute at Athens and the Swedish Institute in Rome respectively. The annual contains articles within classical archaeology, ancient history, art, architecture and philology, as well as book reviews within these subjects. Reports of fieldwork carried out under the supervision of the Institutes at Athens and Rome are regularly reported on in the Opuscula. The annual welcomes contributions pertaining to the ancient Mediterranean world (prehistory to Late Antiquity) and the Classical tradition and drawing on archaeological, historical and philological studies; also, contributions dealing with later periods in the areas, especially in the fields of art, architecture, history and cultural heritage.