门槛和似乎是什么:门罗的第一句话

Simon Zupan, Jason A. Blake
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引用次数: 0

摘要

本文概述了爱丽丝·门罗14部小说集中的149篇小说的开头句子。尽管被冠以“门罗式”的称号,但门罗的典型故事和风格却千差万别。她的许多故事都以简短、平凡的陈述句开头,只有几个词;许多其他的第一句话都有好几行;许多前景的时间,或者更准确地说,时间过去了。这些开头句子的多样性可能会让编目员感到绝望,或者愚蠢地宣称她的小说的门罗式品质在于它是多么的与众不同....虽然概括是危险的,但有一点是不变的:尽管门罗的风格多样,但他的第一句话往往在现实、有形和表面、隐藏或隐藏的东西之间建立起一种张力。
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Thresholds and What Seems to Be: Munro’s First Sentences
This paper provides an overview of Alice Munro’s first sentences from her 149 stories published in her 14 collections. Despite the epithet “Munroesque,” there is a remarkable variety to the typical Munro story and Munro’s style. Many of her stories begin with short, mundanely declarative sentences of a few words; many other first sentences stretch over several lines; many foreground time or, more accurately, time past. The variety of these first sentences might lead the cataloguer to despair or to proclaim fatuously that the Munroesque quality of her fiction lies in how different it all is …. Though generalizations are dangerous, there is one constant: for all their stylistic diversity, Munro’s first sentences tend to establish a tension between what is realistic and tangible and the seeming, what lies beneath or hidden.
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来源期刊
ELOPE: English Language Overseas Perspectives and Enquiries
ELOPE: English Language Overseas Perspectives and Enquiries Arts and Humanities-Literature and Literary Theory
CiteScore
0.70
自引率
0.00%
发文量
10
审稿时长
16 weeks
期刊介绍: ELOPE: English Language Overseas Perspectives and Enquiries (http://revije.ff.uni-lj.si/elope) is a double-blind, peer-reviewed academic journal that publishes original research articles, studies and essays that address issues of English language, literature, teaching and translation. The guest editors, Jason Blake and Michelle Gadpaille, warmly invite contributors to submit original research for a special issue of the journal in honour of Margaret Atwood’s 80th birthday. Papers are solicited that focus on Atwood’s 21st-century work (excluding film and television adaptations). Potential topics include but are not limited to the following: Experiments in short prose and cross-generic forms Eco-critical engagement in prose or fiction; Apocalyptic Atwood Reception across cultures, languages and generations; global Atwood Translation and stylistic studies of 21st century works Poetic legacy Interdisciplinary approaches Humour.
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