24节铃鼓:在马来西亚华人文化团结中想象中国的24节铃现象

C. Chan
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引用次数: 1

摘要

24节灵鼓是一个由24个狮鼓组成的鼓团,由24个鼓手演奏,随着狮鼓上的节奏节奏,他们的舞蹈动作壮观而充满活力。这是马来西亚华人创造的“发明的传统”。20世纪70年代的国家文化政策旨在构建同质化的民族认同,为了响应这一政策,中国人成立了24个节灵骨乐团,以实现文化团结,团结人们对遥远祖国的归属感。他们创造了二十四节铃鼓的音乐和动作,以表现二十四节铃(现象)-天气变化,农业活动和二十四节气(节:关节)固有的自然现象;气:呼吸)或季节。由于马来西亚华人没有亲身体验过中国,而是通过文学和媒体技术与中国联系在一起,我认为24节铃鼓表演者利用他们的想象力和马来西亚的本地化经验来体现中国的24节铃。这篇文章是基于20多年来的民族志田野调查和对这一流派的不断回顾。
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24 Jie Ling Gu (24 Festive Drums): Imagining the 24 Jie Ling (Phenomena) of China in Enacting Cultural Solidarity among the Chinese Diaspora of Malaysia
The 24 Jie Ling Gu (24 Festive Drums) is a drum ensemble that  consists of 24 lion drums (shigu) played by twenty-four drummers who move to spectacular and dynamic choreography in synchronization with the rhythmic patterns struck on the shigu. It is an “invented tradition” created by the Chinese diaspora of Malaysia. In response to the 1970s National Cultural Policy (NCP) which aimed toward the construction of a homogenized national identity, the Chinese founded the 24 Jie Ling Gu ensemble to enact cultural solidarity and unify the people toward a sense of belonging to their distant motherland in China. They created the music and movements of the 24 Jie Ling Gu to manifest the 24 jie ling (phenomena)—the weather changes, agricultural activities, and natural phenomenon inherent in the 24 jie qi (jie: joints; qi: breath) or seasonal periods. Due to the fact that the Chinese of Malaysia have not physically experienced China but are connected to it through literature and media technology, I argue that the 24 Jie Ling Gu performers utilized their imagination and localized experience of Malaysia to manifest the 24 jie ling in China. This article is based on ethnographic fieldwork and ongoing revisits to this genre through a span of more than 20 years. 
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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