{"title":"Samospevi J. Pavčiča","authors":"Manica Špendal","doi":"10.4312/MZ.16.1.63-69","DOIUrl":null,"url":null,"abstract":"Josip Pavcic began his creative career at the turn of the century, at a time when Slovene composers were doing their best to lay the basis of Slovene musical culture. Together with A. Lajovic and E. Adamic he became one of the most promising contributors to the \"Novi akordi\" review. Whereas the first twoenriched their romanticism with elements of newer stylistic trends, Pavcic remained a romantic throughout. He wrote piano and choral works as well as some excellent lieder. As regards the development of this compositional form, Pavcic's lieder do not represent landmarks of their species; however, regarding their technical and expressive qualities, especially those on texts by O. Župancic (Flowery Dreams, Grandfather Oneleg, Ciciban - Cicifuj) and some others (Spring Has Arrived, The Woman-Harvester), they place Pavcic on animportant position in the history of Slovene music. This can be supported by the great popularity of his lieder, a popularity that has continued up to the present. A good pianist, he showed a great sense for the piano part which enriches the vocal line broadening it up to a congruent part","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1980-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4312/MZ.16.1.63-69","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
Josip Pavcic在世纪之交开始了他的创作生涯,当时斯洛文尼亚的作曲家正在尽最大努力奠定斯洛文尼亚音乐文化的基础。他与A. Lajovic和E. Adamic一起成为《Novi akordi》评论最有前途的撰稿人之一。前两位在浪漫主义中加入了新风格的元素,而帕维奇自始至终都是浪漫主义者。他写过钢琴和合唱作品以及一些优秀的抒情歌曲。至于这种组成形式的发展,帕维奇的领队并不代表他们物种的标志;然而,就其技术和表现力而言,特别是O. Župancic(《花梦》、《奥涅莱格爷爷》、《Ciciban - Cicifuj》)和其他一些(《春天来了》、《女人收割者》)的文本,他们将帕维奇置于斯洛文尼亚音乐史上的重要地位。这可以从他的歌曲的巨大人气得到支持,这种人气一直持续到现在。作为一名优秀的钢琴家,他对钢琴声部表现出了极大的感觉,丰富了声部,拓宽了声部,使之成为一个和谐的声部
Josip Pavcic began his creative career at the turn of the century, at a time when Slovene composers were doing their best to lay the basis of Slovene musical culture. Together with A. Lajovic and E. Adamic he became one of the most promising contributors to the "Novi akordi" review. Whereas the first twoenriched their romanticism with elements of newer stylistic trends, Pavcic remained a romantic throughout. He wrote piano and choral works as well as some excellent lieder. As regards the development of this compositional form, Pavcic's lieder do not represent landmarks of their species; however, regarding their technical and expressive qualities, especially those on texts by O. Župancic (Flowery Dreams, Grandfather Oneleg, Ciciban - Cicifuj) and some others (Spring Has Arrived, The Woman-Harvester), they place Pavcic on animportant position in the history of Slovene music. This can be supported by the great popularity of his lieder, a popularity that has continued up to the present. A good pianist, he showed a great sense for the piano part which enriches the vocal line broadening it up to a congruent part