It was explored whether cognitive-emotional and standard approach to music listening in music teaching contribute to different students’ cognitive and emotional experiences regarding the artworks Masquerade, Wellington’s Victory, Scheherazade, MZ_2020_1_FINAL.indd 225 24. 06. 2020 12:00:51 226 M U Z I K O L O Š K I Z B O R N I K • M U S I C O L O G I C A L A N N U A L LV I / 1
探讨音乐教学中认知-情感和标准的音乐聆听方式对不同学生对艺术作品《假面戏》、《惠灵顿的胜利》、《谢赫拉扎德》、《MZ_2020_1_FINAL》的认知和情感体验的影响。印度225 24。06. 2020年12:00:51 226 U我K L O OŠK Z B O R N K•M U S I C O L O G我C L N N U L LV I / 1
{"title":"Contribution of Cognitive-Emotional Approach to Music Listening on Students’ Cognitive and Emotional Experience","authors":"Sabina Vidulin, Marlena Plavšić","doi":"10.4312/mz.56.1.225-241","DOIUrl":"https://doi.org/10.4312/mz.56.1.225-241","url":null,"abstract":"It was explored whether cognitive-emotional and standard approach to music listening in music teaching contribute to different students’ cognitive and emotional experiences regarding the artworks Masquerade, Wellington’s Victory, Scheherazade, MZ_2020_1_FINAL.indd 225 24. 06. 2020 12:00:51 226 M U Z I K O L O Š K I Z B O R N I K • M U S I C O L O G I C A L A N N U A L LV I / 1","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":"9 1","pages":"225-241"},"PeriodicalIF":0.0,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87629375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this study was to explore the differences in musical preferences between Slovene and Croatian students. The sample consisted of 369 students from Slovenia and 371 students from Croatia. The results show that there are significant differences in musical preferences between Slovene and Croatian students. Furthermore, differences with regard to gender, age and study program were confirmed.
{"title":"The structure of musical preferences of youth: cross-cultural perspective","authors":"Katarina Habe, Snježana Dobrota, Ina Ercegovac","doi":"10.4312/MZ.54.1.141-156","DOIUrl":"https://doi.org/10.4312/MZ.54.1.141-156","url":null,"abstract":"The aim of this study was to explore the differences in musical preferences between Slovene and Croatian students. The sample consisted of 369 students from Slovenia and 371 students from Croatia. The results show that there are significant differences in musical preferences between Slovene and Croatian students. Furthermore, differences with regard to gender, age and study program were confirmed.","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":"29 1","pages":"141-156"},"PeriodicalIF":0.0,"publicationDate":"2018-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77338127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Glasba je izpostavljena kot najbolj odmeven medij globalizirajocega sveta. S svojo navidezno nepojmovnostjo in kulturno nedeterminiranostjo predstavlja model jezika, ki ne razdvaja. Vendarle skusa nova glasbena hermenevtika najti sirso kontekstualno dolocenost v interpretaciji glasbe. Glasba Lojzeta Lebica je lahko paradigma glasbe, ki raste iz takega kontekstnega opredeljevanja. Njegove skladbe rastejo iz besedilne tradicije njegove kulture in jih dolocajo tonski arhetipi, stroga strukturna konstrukcija ter avtorjeva avtonomna odlocitev, da se izbranim modelom v nekem trenutku odpove in lastna pravila prekrsi.
{"title":"Glasba kot globalizacijski jezik? : metajezikovni kontekst Lebičeve glasbe","authors":"Matjaž Barbo","doi":"10.4312/MZ.43.1.187-192","DOIUrl":"https://doi.org/10.4312/MZ.43.1.187-192","url":null,"abstract":"Glasba je izpostavljena kot najbolj odmeven medij globalizirajocega sveta. S svojo navidezno nepojmovnostjo in kulturno nedeterminiranostjo predstavlja model jezika, ki ne razdvaja. Vendarle skusa nova glasbena hermenevtika najti sirso kontekstualno dolocenost v interpretaciji glasbe. Glasba Lojzeta Lebica je lahko paradigma glasbe, ki raste iz takega kontekstnega opredeljevanja. Njegove skladbe rastejo iz besedilne tradicije njegove kulture in jih dolocajo tonski arhetipi, stroga strukturna konstrukcija ter avtorjeva avtonomna odlocitev, da se izbranim modelom v nekem trenutku odpove in lastna pravila prekrsi.","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":"267 1","pages":"187-192"},"PeriodicalIF":0.0,"publicationDate":"2007-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76740007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
V tedniku slovenski gospodar st. 25 z dne 25. julija 1986 je bil natisnjen clanek jezikoslovnega in slovstvenega publicista Franca Solcavskega. V njem avtor poroca, da je libretist Enrico Golisciani izbral Maribor oziroma njegovo okolico za kraj dogajanja v operi "La sorella di Mark", ki jo je uglasbil italijanski skladatelj Giacomo Setaccioli (1868-1925).
{"title":"Maribor - prizorišče dogajanja v pogrešani operi \"La sorella di Mark\" italijanskega skladatelja Giacoma Setacciolija","authors":"Manica Špendal","doi":"10.4312/MZ.21.1.51-59","DOIUrl":"https://doi.org/10.4312/MZ.21.1.51-59","url":null,"abstract":"V tedniku slovenski gospodar st. 25 z dne 25. julija 1986 je bil natisnjen clanek jezikoslovnega in slovstvenega publicista Franca Solcavskega. V njem avtor poroca, da je libretist Enrico Golisciani izbral Maribor oziroma njegovo okolico za kraj dogajanja v operi \"La sorella di Mark\", ki jo je uglasbil italijanski skladatelj Giacomo Setaccioli (1868-1925).","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":"115 1","pages":"51-59"},"PeriodicalIF":0.0,"publicationDate":"1985-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79349103","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Josip Pavcic began his creative career at the turn of the century, at a time when Slovene composers were doing their best to lay the basis of Slovene musical culture. Together with A. Lajovic and E. Adamic he became one of the most promising contributors to the "Novi akordi" review. Whereas the first twoenriched their romanticism with elements of newer stylistic trends, Pavcic remained a romantic throughout. He wrote piano and choral works as well as some excellent lieder. As regards the development of this compositional form, Pavcic's lieder do not represent landmarks of their species; however, regarding their technical and expressive qualities, especially those on texts by O. Župancic (Flowery Dreams, Grandfather Oneleg, Ciciban - Cicifuj) and some others (Spring Has Arrived, The Woman-Harvester), they place Pavcic on animportant position in the history of Slovene music. This can be supported by the great popularity of his lieder, a popularity that has continued up to the present. A good pianist, he showed a great sense for the piano part which enriches the vocal line broadening it up to a congruent part
Josip Pavcic在世纪之交开始了他的创作生涯，当时斯洛文尼亚的作曲家正在尽最大努力奠定斯洛文尼亚音乐文化的基础。他与A. Lajovic和E. Adamic一起成为《Novi akordi》评论最有前途的撰稿人之一。前两位在浪漫主义中加入了新风格的元素，而帕维奇自始至终都是浪漫主义者。他写过钢琴和合唱作品以及一些优秀的抒情歌曲。至于这种组成形式的发展，帕维奇的领队并不代表他们物种的标志;然而，就其技术和表现力而言，特别是O. Župancic(《花梦》、《奥涅莱格爷爷》、《Ciciban - Cicifuj》)和其他一些(《春天来了》、《女人收割者》)的文本，他们将帕维奇置于斯洛文尼亚音乐史上的重要地位。这可以从他的歌曲的巨大人气得到支持，这种人气一直持续到现在。作为一名优秀的钢琴家，他对钢琴声部表现出了极大的感觉，丰富了声部，拓宽了声部，使之成为一个和谐的声部
{"title":"Samospevi J. Pavčiča","authors":"Manica Špendal","doi":"10.4312/MZ.16.1.63-69","DOIUrl":"https://doi.org/10.4312/MZ.16.1.63-69","url":null,"abstract":"Josip Pavcic began his creative career at the turn of the century, at a time when Slovene composers were doing their best to lay the basis of Slovene musical culture. Together with A. Lajovic and E. Adamic he became one of the most promising contributors to the \"Novi akordi\" review. Whereas the first twoenriched their romanticism with elements of newer stylistic trends, Pavcic remained a romantic throughout. He wrote piano and choral works as well as some excellent lieder. As regards the development of this compositional form, Pavcic's lieder do not represent landmarks of their species; however, regarding their technical and expressive qualities, especially those on texts by O. Župancic (Flowery Dreams, Grandfather Oneleg, Ciciban - Cicifuj) and some others (Spring Has Arrived, The Woman-Harvester), they place Pavcic on animportant position in the history of Slovene music. This can be supported by the great popularity of his lieder, a popularity that has continued up to the present. A good pianist, he showed a great sense for the piano part which enriches the vocal line broadening it up to a congruent part","PeriodicalId":52025,"journal":{"name":"Muzikoloski Zbornik","volume":"9 1","pages":"63-69"},"PeriodicalIF":0.0,"publicationDate":"1980-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90967590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：