{"title":"丹特间性:恩尼乌斯的暗示?","authors":"Francesco Marco Aresu","doi":"10.1215/00358118-8901819","DOIUrl":null,"url":null,"abstract":"\n This article hypothesizes an intertextual relationship between the literary transfiguration of Occitan troubadour Bertran de Born in Inferno 28 and a fragment of Latin poetry preserved by late antique scholars (and disputedly attributed to Roman poet Ennius). The evidence presented in support of this hypothesis include lexical, prosodical, and rhetorical elements. The hypothesis is also examined with reference to the material and textual transmission of the fragment.","PeriodicalId":39614,"journal":{"name":"Romanic Review","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intertestualità dantesche: Un’allusione a Ennio?\",\"authors\":\"Francesco Marco Aresu\",\"doi\":\"10.1215/00358118-8901819\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n This article hypothesizes an intertextual relationship between the literary transfiguration of Occitan troubadour Bertran de Born in Inferno 28 and a fragment of Latin poetry preserved by late antique scholars (and disputedly attributed to Roman poet Ennius). The evidence presented in support of this hypothesis include lexical, prosodical, and rhetorical elements. The hypothesis is also examined with reference to the material and textual transmission of the fragment.\",\"PeriodicalId\":39614,\"journal\":{\"name\":\"Romanic Review\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanic Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/00358118-8901819\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanic Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00358118-8901819","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
This article hypothesizes an intertextual relationship between the literary transfiguration of Occitan troubadour Bertran de Born in Inferno 28 and a fragment of Latin poetry preserved by late antique scholars (and disputedly attributed to Roman poet Ennius). The evidence presented in support of this hypothesis include lexical, prosodical, and rhetorical elements. The hypothesis is also examined with reference to the material and textual transmission of the fragment.
Romanic ReviewArts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍:
The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.