{"title":"前线ÂNEUR或VOYEUR: AMBIGÜEDAD想象我在曼哈顿的窗口(2004年),ANTONIO munoz MOLINA","authors":"Mieke Vulkers","doi":"10.5944/signa.vol29.2020.23423","DOIUrl":null,"url":null,"abstract":"Abstract: The novels of Spanish author Antonio Munoz Molina generally are characterized as hybrids, inserting non-fictional genres within the frame of a novelistic work. Although Ventanas de Manhattan (2004) is presented as a diary or even as a travelling journal, this article argues that the work shows a hybrid generic form. Founded upon a theoretical frame, it establishes the components that lead to the characterization of the work as autofictional. Subsequently this article focuses on the construction of the first-person character as a fictional structure, based on literary archetypes.","PeriodicalId":54036,"journal":{"name":"Signa-Revista de la Asociacion Espanola de Semiotica","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2020-04-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"FLÂNEUR O VOYEUR: LA AMBIGÜEDAD DE LA FIGURACIÓN DEL YO EN VENTANAS DE MANHATTAN (2004), DE ANTONIO MUÑOZ MOLINA\",\"authors\":\"Mieke Vulkers\",\"doi\":\"10.5944/signa.vol29.2020.23423\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: The novels of Spanish author Antonio Munoz Molina generally are characterized as hybrids, inserting non-fictional genres within the frame of a novelistic work. Although Ventanas de Manhattan (2004) is presented as a diary or even as a travelling journal, this article argues that the work shows a hybrid generic form. Founded upon a theoretical frame, it establishes the components that lead to the characterization of the work as autofictional. Subsequently this article focuses on the construction of the first-person character as a fictional structure, based on literary archetypes.\",\"PeriodicalId\":54036,\"journal\":{\"name\":\"Signa-Revista de la Asociacion Espanola de Semiotica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-04-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Signa-Revista de la Asociacion Espanola de Semiotica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5944/signa.vol29.2020.23423\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Signa-Revista de la Asociacion Espanola de Semiotica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5944/signa.vol29.2020.23423","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
FLÂNEUR O VOYEUR: LA AMBIGÜEDAD DE LA FIGURACIÓN DEL YO EN VENTANAS DE MANHATTAN (2004), DE ANTONIO MUÑOZ MOLINA
Abstract: The novels of Spanish author Antonio Munoz Molina generally are characterized as hybrids, inserting non-fictional genres within the frame of a novelistic work. Although Ventanas de Manhattan (2004) is presented as a diary or even as a travelling journal, this article argues that the work shows a hybrid generic form. Founded upon a theoretical frame, it establishes the components that lead to the characterization of the work as autofictional. Subsequently this article focuses on the construction of the first-person character as a fictional structure, based on literary archetypes.
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