报喜的母题作为圣经的潜台词在伊万·v·拉利奇的诗歌

J. Blagojević
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摘要

伊万·v·拉利奇(Ivan V. laliki)是20世纪最后几十年的标志性诗人,他属于新象征主义运动中高度宗教化的诗人群体。在现有的批评中,他诗歌中的圣经潜台词已经被注意到,但有些时刻没有得到足够的关注。尽管《天使报喜》的主题受到了广泛的关注和批评,但其他一些神性方面却很少或根本没有得到关注,尽管它们正是正确理解拉利奇对《天使报喜》的理解的背景。这些都是旧约的场景,主要与祖先亚伯拉罕,雅各,出埃及记和三个年轻人在火炉里有关。这篇文章的作者致力于这些场景,将它们与拉利奇对天使报喜的理解联系起来,作为一种解决宇宙,历史和个人紧张关系的点。
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Motif of annunciation as biblical subtext in the poetry of Ivan V. Lalić
Ivan V. Lalić, a poet who marked the last decades of the 20th century, belongs to the group of highly religious poets of the neo-symbolist movement. In the existing criticism, the biblical subtext of his poetry has been noticed, but some moments have not been given suf-fi-cient attention. And while the motif of Annunciation is much noticed and covered in criticism, some other theophanic aspects have been given little or no attention, even though they are precisely the context for proper understanding of Lalić's understanding of Annunciation. These are Old Testament scenes, primarily related to the forefather Abraham, Jacob, the exodus and the three young men in the fiery furnace. The author of the article devotes himself to these scenes, bringing them into connection with Lalić's understanding of Annunciation as a kind of point of resolution of cosmic, historical and personal tensions.
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