舞蹈作为一种传统和争议:恰帕斯SOCONUSCO的中国社区幻觉

Miguel Lisbona Guillén
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引用次数: 2

摘要

对于那些了解恰帕斯州,尤其是其沿海地区索康纳斯科的人来说,识别19世纪末和20世纪初抵达恰帕斯州的中国移民留下的印记似乎有些陈词滥调。然而,显而易见的是,在这个被称为中餐的地区,一种美食传统的存在已经变成了一种身份品牌,这并不意味着移民后代构建的“中国人”或“华人社区”是一个明确而明显的事实。本文主要通过不同沿海城市存在的舞蹈团体来解决这一建设的困难。在华人假设之争中,为了建立舞团作为市政代表而产生的“血族共同体”的幻灭,可以从他们的差异中观察到,特别是表现出他们活动的创造性价值。
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DANZAS COMO TRADICIÓN Y COMO DISPUTA: LA ILUSIÓN COMUNITARIA CHINA EN EL SOCONUSCO CHIAPANECO

Identifying the imprint left by Chinese immigrants, who arrived in Chiapas in the late 19th and early 20th Century seems somewhat trite for those who know the state and, especially, its coastal region: the Soconusco. However, as obvious as it may be, the existence of a gastronomic tradition that turned into an identity brand in the region known as Chinese food, does not mean that the construction of “the Chinese” or a “Chinese community” by the descendants of immigrants is a clear and palpable fact. The difficulties in this construction are addressed in this article mainly by means of the dance groups that exist in different coastal municipalities. The way the illusion of a community of blood descendants fades out in order to establish dance groups as municipal representatives in dispute of the assumption of the Chinese can be observed through their differences, especially showing the creative value of their activities.

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