Serbia: Reco(r)ding the Cinematic Turn

Nevena Daković, Aleksandra Milovanović, Ivan Leković
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Abstract

The chapter on Serbia examines the significance of the new opportunities for Serbian cinema offered by the country’s inclusion in the Eurimages and MEDIA programs and identifies major turning points and thematic markers within recent Serbian films. It analyses several distinct facets of recent cinematic developments: the emergence of a new wave of young directors whose films contain innovative cinematic and social perspectives; the rise in popular historical genre films supporting nationalist values; and the abundance of commercial – but often unpopular - filmmaking, marked by repetitive genre formulas and stereotypical themes.
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塞尔维亚:Reco(r)正在转向电影
关于塞尔维亚的这一章考察了塞尔维亚电影被纳入欧洲影像和媒体计划所带来的新机遇的重要性,并确定了最近塞尔维亚电影的主要转折点和主题标志。它分析了最近电影发展的几个不同方面:新一波年轻导演的出现,他们的电影包含创新的电影和社会视角;支持民族主义价值观的流行历史类型电影的兴起;大量的商业电影——但往往不受欢迎——以重复的类型公式和刻板的主题为特征。
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Serbia: Reco(r)ding the Cinematic Turn Montenegro: A Small, Open and Forward-looking Film Industry Slovenia: A Small National Cinema in the Phase of Transnational Synergy Bulgaria: Reframing Contemporary Arthouse and Mainstream Cinema Croatia: Film under Ideological Pressure – The State, Its Citizen and the Faltering Future
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