Croatia: Film under Ideological Pressure – The State, Its Citizen and the Faltering Future

J. Pavičić, A. Vidan
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Abstract

The chapter on Croatia refers to the year 2008 as a point of departure for several thematically and stylistically interesting films, due to the transformation of the financial and institutional cinematic landscape in the country, notably the establishment of Croatian Audiovisual Centre. The chapter explores recurrent themes in several recent films such as: the contemporary consequences of the Yugoslav-dissolution war, the political and patriarchal implications of intergenerational clashes, the dysfunctional public services, corruption, the adoption of a raw capitalist economy, as well as the growing concern for gender and minority rights. Moreover, the chapter highlights a recent trend of emerging women filmmakers and their achievements on the international film scene.
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克罗地亚:意识形态压力下的电影——国家、公民和摇摇欲坠的未来
关于克罗地亚的章节提到2008年是一些主题和风格上有趣的电影的起点,因为该国的金融和机构电影景观发生了变化,特别是克罗地亚视听中心的建立。本章探讨了最近几部电影中反复出现的主题,如:南斯拉夫解体战争的当代后果,代际冲突的政治和父权影响,功能失调的公共服务,腐败,采用原始资本主义经济,以及对性别和少数民族权利的日益关注。此外,本章还强调了新兴女性电影人的最新趋势及其在国际电影界取得的成就。
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Serbia: Reco(r)ding the Cinematic Turn Montenegro: A Small, Open and Forward-looking Film Industry Slovenia: A Small National Cinema in the Phase of Transnational Synergy Bulgaria: Reframing Contemporary Arthouse and Mainstream Cinema Croatia: Film under Ideological Pressure – The State, Its Citizen and the Faltering Future
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