The Ocean Wave

M. Rush
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引用次数: 7

Abstract

I B o u g h t An antique quilt last spring. I don’t usually spend that much m oney impulsively, especially for a quilt. In my family, we make our own o r have them handed down from ancestors. I was browsing at the annual Kalona Quilt Show, overwhelmed by the fabrics and designs and stitches. W hen I came around the com er and saw this one, I stopped. I stood and gazed at it, enjoying its quiet quality, both from a distance and close up. It was a variation on the Ocean Wave pattern, pin wheels alternating with the patches that feature a center diamond. I’d never seen anything like it. Eventually, I moved on to other quilts. But they w eren’t as fine, especially the m ore recent ones. In them the designs showed little imagination, the quilting stitches were scant, and the com ers o f the patches m et sloppily. I returned to admire the Ocean Wave and decided to make a drawing o f it, even though I knew I would never have the time and patience to piece one myself. Even if I tried, I could never repeat the effect this one had. After leaving the show, I debated mentally. “I’m going to buy it,” I concluded. I had money in the bank that was supposed to be saved so I wouldn’t have to worry about finding a job the following summer. I purpose­ ly put the funds into the Kalona Bank so I couldn’t withdraw it without making a twenty-mile trip. I was trying to prevent impulse spending. I hurried to the bank, fingers trem bling as I signed the withdrawal slip, no t wanting to dawdle and chat with the clerks for fear that the quilt would be gone if I waited. Besides, they would have thought this was just another quilt. I was in a hurry, not because I’d seen quilts being sold quickly at the show, but because o f the irrational idea that something I want badly will be taken unfairly from me, that perhaps I don’t deserve it. But the quilt was still there. With relief I approached one o f the women wearing a corsage and patchwork on her jum per and asked how I went about buying a quilt. She didn’t even ask to see any identification with my check. I showed my Ocean Wave to the owners o f Unto Others, a shop in Kalona filled with quality hand-made goods. One o f them noticed a bright gold patch, sticking out as the only ja r to the eye. She said her m other always put deliberate flaws into her quilts to show that she “wasn’t G od” and couldn’t
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海浪
去年春天我买了一床古董被子。我通常不会冲动地花那么多钱,尤其是买一床被子。在我们家,我们自己做或者从祖先那里传下来。我在一年一度的卡洛纳被子展(Kalona Quilt Show)上逛了逛,被那里的面料、设计和针脚所折服。当我走到拐角处,看到这个,我停了下来。我站在那里凝视着它,无论是从远处还是近处,都享受着它的宁静。它是海浪图案的一种变化,别针轮与中心菱形的补丁交替。我从未见过这样的东西。最后,我换了其他的被子。但它们就没那么好了,尤其是最近的那些。这些衣服的设计缺乏想象力,绗缝的针脚很短,补丁的角也很粗糙。我回来欣赏海浪,决定把它画下来,尽管我知道我自己永远没有时间和耐心去画。即使我尝试了,我也无法重复这一次的效果。离开节目后,我在心里辩论。“我要买它,”我总结道。我本来应该把银行里的钱存起来,这样我就不用担心第二年夏天找不到工作了。我特意把钱存到卡洛纳银行,这样我就不能不走20英里路才能取出来。我试图阻止冲动消费。我匆匆赶到银行,在取款单上签了字,手指颤抖着,不想磨磨蹭蹭地和职员们聊天,因为我担心等了一会儿被子就没了。此外,他们会认为这只是另一床被子。我很着急,不是因为我看到被子在展会上卖得很快,而是因为我有一种非理性的想法:我非常想要的东西会被不公平地从我手中夺走,也许我不配得到它。但是被子还在那里。我松了一口气,走到其中一个穿着胸花和缝补衣服的女人跟前,问我是怎么买被子的。她甚至没有要求看我支票上的任何身份证明。我把我的“海浪”拿给Kalona的一家名为“to Others”的商店的老板看,这家商店里摆满了高质量的手工制品。其中一个人注意到一个明亮的金色斑块,这是眼睛唯一的亮点。她说,她的母亲总是故意在她的被子上放一些瑕疵,以表明她“不是上帝”,也不会
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