‘If Your Jeans Are Original, How Come Everyone Else Has One?’

Sreedeep Bhattacharya
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Abstract

This chapter deals with exclusionary strategies and their representations in colonial, postcolonial, and post-liberalization phases in India. Citing a wide range of secondary sources, it establishes how exclusionary strategies and conscious social distancing were central to the formation of middle-class identity in the colonial and postcolonial India. The author argues that middle-class attitudes towards consumption were characterized by a certain degree of restraint and thrift. However, in the post-liberalization phase, there is an erosion of that miserly attitude towards a guilt-free consumption, leading to unapologetic material indulgences. This chapter looks at popular visual registers such as advertisements to argue how the exclusionary zeal increasingly is visually mediated and manifested through portrayals of exclusivity. It particularly focuses on apparel advertisements that emphasize the ideas of class, exclusivity, and difference. It asserts that the visual aspects of commodity have become exterior markers of difference, as the desire for distinction is more visceral than before.
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“如果你的牛仔裤是原创的,为什么其他人都有?””
本章讨论排他策略及其在印度殖民、后殖民和后自由化阶段的表现。它引用了大量的二手资料,确立了排他性策略和有意识的社会距离是如何在殖民和后殖民时期印度中产阶级身份形成的核心。作者认为,中产阶级的消费态度具有一定程度的克制和节俭的特点。然而,在后自由化阶段,对无罪恶感消费的吝啬态度受到侵蚀,导致毫无歉意的物质放纵。本章着眼于流行的视觉记录,如广告,以论证排他性热情如何越来越多地通过视觉媒介和排他性的描绘来表现。它特别关注服装广告,强调阶级,排他性和差异的想法。它断言,商品的视觉方面已经成为区别的外在标志,因为对区别的渴望比以前更加发自内心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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The Afterlife of Things ‘If Your Jeans Are Original, How Come Everyone Else Has One?’ Peer-Reviewed Images Visual Access and Excess The Visuality of Materials and the Materiality of Visuals
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