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Consumerist Encounters最新文献

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After the Tourists Depart 游客离开后
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0008
Sreedeep Bhattacharya
This chapter explores multiple aspects of image–space relationship in Ladakh in particular. It analyzes the role of photographic practices behind branding of an aspired tourist destination. It makes a case for image–destination inseparability and argues that it is the constructed image of the destination which attracts collective tourist gaze. It focuses on the evolution of Ladakh as a hyper tourist destination in the last two decades. It asserts that the consumerist trajectory or tragedy of Ladakh in the post-liberalization period as a destination for adventure and exotica is visually negotiated through imageries. It also highlights some of the material leftovers of the tourists. Through a visual exploration of material remains, it documents reckless consumerist obsession with packaged tourism.
本章特别探讨了拉达克地区图像空间关系的多个方面。它分析了一个有抱负的旅游目的地的品牌背后的摄影实践的作用。它证明了形象与目的地的不可分割性,并认为是目的地的构建形象吸引了游客的集体目光。它关注的是拉达克在过去20年里作为一个超级旅游目的地的演变。它断言,后自由化时期拉达克作为冒险和异国情调目的地的消费主义轨迹或悲剧是通过图像在视觉上进行谈判的。它还突出了一些游客的物质剩余物。通过对物质遗迹的视觉探索,它记录了不计后果的消费主义者对打包旅游的痴迷。
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引用次数: 0
Peer-Reviewed Images 同行评议的图片
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0004
Sreedeep Bhattacharya
This chapter concerns itself with the body and the circulation of its image in the consumerist landscape of contemporary India. It argues how the body is constantly under the influence of the ideal body type, which inspires consumers to reconfigure their bodies to emulate the ideal body type. This requires sufficient attention, visibility, disciplining, and display. It also explains how this emulative process reproduces similar body types through work on and care of the body, thus transforming bodies into images for visual consumption. It advances a conceptual model of image–body inseparability and situates such emulative practices within the larger context of erosion of the stigma against the eroticized body in recent times across various platforms of contemporary visual and popular media. The author argues that such stigma has significantly diminished.
本章关注当代印度消费主义景观中的身体及其形象的流通。它认为身体是如何不断受到理想体型的影响,这激励消费者重新配置自己的身体,以模仿理想体型。这需要足够的关注、可见度、纪律和展示。它还解释了这种模仿过程是如何通过对身体的工作和照顾来复制相似的身体类型,从而将身体转化为视觉消费的图像。它提出了一个形象与身体不可分割的概念模型,并将这种模仿行为置于更大的背景下,即在当代视觉和大众媒体的各种平台上,最近对色情身体的耻辱的侵蚀。作者认为,这种耻辱已经大大减少。
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引用次数: 0
Discovering Lineage amidst Urban Anonymity 在城市匿名中发现血统
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0003
Sreedeep Bhattacharya
Images of commodities and what they communicate continue to be the preoccupations of the second chapter as well. However, here it moves away from the class dimensions and focuses on other aspects such as representation of the urban space, anonymity, multiple identities, and niche clientele. Such commodity representations provide an interesting and alternative reading of social and spatial transformations post 1990s. It captures a shift from utility and function to experiences and aspirations in the material culture of a globalized world. It argues that there is a conscious effort to seduce the consumer by emphasizing on the desirability and the personality of the commodity by constantly connecting it to imagined ideal selves. That is how mundane is transformed into exotic, and commodities become more personal, intimate, and identifiable. These persuasive images are central to the project of comprehending the changing consumerist landscape.
商品的形象和它们所传达的信息仍然是第二章的重点。然而,在这里,它脱离了阶级维度,专注于其他方面,如城市空间的表现、匿名性、多重身份和利基客户。这样的商品表征为90年代后的社会和空间转型提供了一种有趣而另类的解读。它抓住了全球化世界物质文化中从效用和功能到体验和愿望的转变。它认为,通过不断地将商品与想象中的理想自我联系起来,强调商品的可取性和个性,从而有意识地引诱消费者。这就是平凡变成奇异的方式,商品变得更加私人、亲密和可识别。这些有说服力的图像是理解不断变化的消费主义景观项目的核心。
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引用次数: 0
Material Callings in an Outsourced Outpost 外包前哨的物质召唤
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0006
Sreedeep Bhattacharya
The author addresses how business process outsourcing (BPO) enabled a generation of urban educated youth to participate in consumption by offering new income opportunities, and instigating new consumerist aspirations. Along with observing operational procedures, appointment processes, spatial dimensions, nature of work, and relations at work in BPOs, this chapter also observes its social impacts. A generation of college-goers flirted with this newfound earning opportunity since the late 1990s to have fun, make friends, or earn quickly. It explores how the consumerist desire gripped a generation that was earlier ineligible to participate in consumption. Narrating his cultural experiences of working in a BPO, the author documents a transition from abstinence to indulgence—a transition that offered freedom to eventuate material aspirations.
作者阐述了业务流程外包(BPO)如何通过提供新的收入机会和煽动新的消费主义愿望,使一代城市受过教育的青年参与消费。除了观察业务外包的操作程序、任命流程、空间维度、工作性质和工作关系外,本章还观察了其社会影响。自20世纪90年代末以来,一代大学生开始利用这个新发现的赚钱机会来娱乐、交朋友或快速赚钱。它探讨了消费主义的欲望如何抓住了以前没有资格参与消费的一代人。在叙述他在BPO工作的文化经历时,作者记录了从禁欲到放纵的转变——这种转变为最终的物质欲望提供了自由。
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引用次数: 0
Till It Lasts the Wash 直到洗完为止
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0005
Sreedeep Bhattacharya
This chapter explores T-shirt as a commodity, along with images and texts imprinted on it. It discusses the casual, flexible, and androgynous properties of T-shirt, devoid of symbolic depth. It argues that the T-shirt can host a range of texts and images because it is a vacant surface, waiting to be populated with random images and messages. It is so empty and trifling by itself that it requires textual and graphic support in order to communicate. Textual and visual contents of T-shirts are also observed and interpreted to argue that they do not necessarily translate into an obedient subscription of these messages. The mix of wit, sarcasm, and clichés is so ‘casual’ that it does not demand adherence to, involvement with, or even awareness of surface-level meaning. Simultaneously, it also asserts that the popularity of the T-shirt announces an advent and acceptance of the ephemeral, indicating a detached and dispensable relationship with commodities.
本章将t恤作为一种商品,以及印在t恤上的图像和文字进行探讨。它讨论了t恤的随意、灵活和雌雄同体的特性,缺乏象征性的深度。它认为,t恤可以容纳一系列文字和图像,因为它是一个空白的表面,等待着被随机的图像和信息填充。它本身是如此的空洞和琐碎,以至于需要文字和图形的支持才能进行交流。t恤的文字和视觉内容也被观察和解释,认为它们不一定转化为对这些信息的顺从订阅。机智、讽刺和陈词滥调的混合是如此“随意”,以至于它不需要坚持、参与,甚至不需要意识到表面的意义。同时,它还断言,t恤的流行宣布了短暂的到来和接受,表明了与商品的分离和可有可无的关系。
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引用次数: 0
‘If Your Jeans Are Original, How Come Everyone Else Has One?’ “如果你的牛仔裤是原创的,为什么其他人都有?””
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0002
Sreedeep Bhattacharya
This chapter deals with exclusionary strategies and their representations in colonial, postcolonial, and post-liberalization phases in India. Citing a wide range of secondary sources, it establishes how exclusionary strategies and conscious social distancing were central to the formation of middle-class identity in the colonial and postcolonial India. The author argues that middle-class attitudes towards consumption were characterized by a certain degree of restraint and thrift. However, in the post-liberalization phase, there is an erosion of that miserly attitude towards a guilt-free consumption, leading to unapologetic material indulgences. This chapter looks at popular visual registers such as advertisements to argue how the exclusionary zeal increasingly is visually mediated and manifested through portrayals of exclusivity. It particularly focuses on apparel advertisements that emphasize the ideas of class, exclusivity, and difference. It asserts that the visual aspects of commodity have become exterior markers of difference, as the desire for distinction is more visceral than before.
本章讨论排他策略及其在印度殖民、后殖民和后自由化阶段的表现。它引用了大量的二手资料,确立了排他性策略和有意识的社会距离是如何在殖民和后殖民时期印度中产阶级身份形成的核心。作者认为,中产阶级的消费态度具有一定程度的克制和节俭的特点。然而,在后自由化阶段,对无罪恶感消费的吝啬态度受到侵蚀,导致毫无歉意的物质放纵。本章着眼于流行的视觉记录,如广告,以论证排他性热情如何越来越多地通过视觉媒介和排他性的描绘来表现。它特别关注服装广告,强调阶级,排他性和差异的想法。它断言,商品的视觉方面已经成为区别的外在标志,因为对区别的渴望比以前更加发自内心。
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引用次数: 0
Visual Access and Excess 视觉通道与多余
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0007
Sreedeep Bhattacharya
This chapter conceptualizes several aspects of digital remediations in an era of restless digital navigation. The instantaneous creation and sharing of content altering the relationship between bodies, spaces, and devices is demonstrated here. The first section of the chapter addresses various aspects of digital remediations such as screen-mediated navigations and the multifarious role of networked devices, social consequences of the intimacy between body and device, and instantaneous modes of sharing and their implications. The second segment reflects on dimensions of the post-photographic condition such as unlimited storage, ease and excess of auto-voyeuristic tendencies, publicizing the private self, death of the photographic ‘lack’, ‘fixity’, ‘nostalgia’, the witlessness/weightlessness of the visual excess, the ease of visual manipulation and the democratization of the medium, and the death of the photographer. It also briefly discusses the control and manipulation of the self-generated data.
本章对数字导航时代数字补救的几个方面进行了概念化。内容的即时创建和共享改变了主体、空间和设备之间的关系。本章的第一部分讨论了数字修复的各个方面,如屏幕导航和网络设备的各种角色,身体和设备之间亲密关系的社会后果,以及即时共享模式及其含义。第二部分反思后摄影状态的维度,如无限存储、自动偷窥倾向的轻松和过度、宣传私人自我、摄影的“缺乏”、“固定”、“怀旧”的死亡、视觉过剩的无知/失重、视觉操纵的轻松和媒介的民主化,以及摄影师的死亡。并简要讨论了自生成数据的控制和操作。
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引用次数: 0
The Visuality of Materials and the Materiality of Visuals 材料的可视性与视觉的物质性
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0010
Sreedeep Bhattacharya
This chapter explores an abandoned industrial site—a jute mill— and its material decadence. It argues how an industrial ruin subverts several normative modes of movement, vision, and arrangement. It draws attention towards how things lose their ‘material sovereignty’ as they degenerate. It makes sense of how technological shifts and restructuration of capital lead to the abandonment of productive space. It also argues that the ruining materials that are endowed with visuality of decay and the visuals that convey the transient nature of deterioration overlap each other conceptually and physically. ‘Visuality of materials’ and ‘materiality of visuals’ intersect and interact to create a unique visual and material identity of ruins.
这一章探讨了一个废弃的工业场所——一个黄麻厂——和它的物质颓废。它论证了工业废墟如何颠覆了运动、视觉和安排的几种规范模式。它引起了人们对事物如何在退化过程中失去“物质主权”的关注。它解释了技术转移和资本重组如何导致生产空间的放弃。同时认为,具有腐烂视觉性的毁坏材料与传达短暂性退化的视觉材料在概念上和物理上是相互重叠的。“材料的视觉性”和“视觉的物质性”相互交叉,相互作用,创造了废墟独特的视觉和物质身份。
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引用次数: 0
Obsessive Compulsive (Dis)Order 强迫性(紊乱)秩序
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0011
Sreedeep Bhattacharya
GIVEN THE WIDE RANGE OF COMMODITIES and their representations dealt with in this book, there cannot be a common conclusion. In the concluding chapter, I have made a claim on the broader cultural logic of consumption. I have reiterated the manic obsession with the ‘new’ (ephemeral), the ‘now’ (instantaneous), and the ‘multiple’ (promiscuous), and examined the dis(order) of/in desiring, consuming, and exhausting. Finally, I have rested my claim by stating that the frivolity that governs our relationship with commodities is not confined to them alone. The excess of the new and the promiscuity of the multiple choices spill over to the personal and professional lives as well. Desiring to dispose of things, bodies, spaces, professions, and practices is an underlining consumerist philosophy....
鉴于本书涉及的商品及其表述范围广泛,不可能得出一个共同的结论。在最后一章,我对消费的更广泛的文化逻辑提出了主张。我重申了对“新”(短暂的)、“现在”(瞬间的)和“多重”(混杂的)的狂热迷恋,并审视了欲望、消费和疲惫中的混乱(秩序)。最后,我要说明的是,支配我们与商品关系的轻浮并不仅仅局限于商品。新事物的过剩和多重选择的混杂也蔓延到了个人和职业生活中。想要处理事物、身体、空间、职业和实践是一种突出的消费主义哲学....
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引用次数: 0
Introducing the Intersections 十字路口介绍
Pub Date : 2020-09-17 DOI: 10.1093/oso/9780190125561.003.0001
Sreedeep Bhattacharya
A commodity and its images occupy the centre stage in this book. I interrogate a range of commodities used in our day-to-day lives, not exotic objects belonging to a distant community. These are images we are familiar with and impressions that we flirt with. These are not commodities from the distant past, but things from our proximate consumerist present. In this book, I reflect on some these items of consumption and their images, and argue how our relationship with both has fundamentally transformed in the last few decades. I also build a case for an integrated model of analysis that rests on convergence of material and visual entities on popular registers of representation. My reading of these commodities and their images attempts to acknowledge the interrelationships between the materiality of a commodity and its visual manifestations. I situate my work at the intersection of the material and the visual in the popular realm and draw constant connections between a commodity’s material form, its visual manifestation, and its ...
一种商品及其图像占据了本书的中心舞台。我审视我们日常生活中使用的一系列商品,而不是属于遥远社区的外来物品。这些都是我们熟悉的图像和我们调情的印象。这些商品不是来自遥远的过去,而是来自我们当下的消费主义时代。在这本书中,我对这些消费项目及其形象进行了反思,并论证了我们与这两者的关系在过去几十年里是如何发生根本性转变的。我还建立了一个综合分析模型的案例,该模型依赖于材料和视觉实体在流行的表征寄存器上的收敛。我对这些商品及其图像的解读试图承认商品的物质性与其视觉表现之间的相互关系。我将我的作品置于大众领域中物质和视觉的交叉点,并在商品的物质形式、视觉表现和……之间建立持续的联系。
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引用次数: 0
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Consumerist Encounters
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