Navigating Nationhood, Gender, and the Robinsonade in The Dreams of Myfanwy

S. M. Rosser
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Abstract

This chapter argues that The Dreams of Myfanwy, written by Welsh writer Moelona and concerned with the experiences of the female author writing in a minority language, negotiates an intriguing relationship with, and offers perspective on, the patriarchal, imperial ideologies traditionally associated with imitations of Daniel Defoe’s Robinson Crusoe. The chapter contends that the didactic impulse of this particular Robinsonade is to inculcate within its young readers a sense of Welsh national and cultural difference; like many other popular adventure novels written in Welsh from the 1910s to the 1930s, Moelona’s novel is specifically designed to entice readers and to instil a sense of pride in their cultural and linguistic distinctiveness. The chapter concludes by arguing that this text is a teaching tool that embodies the tension between creativity and didacticism, and which ultimately allows its young readers to navigate an understanding of what it meant to be a young Welsh adolescent in early 20th-century Britain.
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在《我的梦想》中导航国家、性别和罗宾逊舞曲
这一章认为,威尔士作家莫洛娜的《我的梦》关注的是用少数民族语言写作的女性作家的经历,它与传统上与丹尼尔·笛福的《鲁滨逊漂流记》的模仿有关的父权、帝国意识形态建立了一种有趣的关系,并提供了视角。本章认为,这首《罗宾逊颂》的说教冲动是为了向年轻读者灌输威尔士民族和文化差异的意识;就像其他许多在20世纪10年代到30年代用威尔士语写的流行冒险小说一样,莫洛纳的小说是专门为吸引读者而设计的,并为他们的文化和语言独特性灌输一种自豪感。本章最后认为,这篇文章是一种教学工具,体现了创造力和说教主义之间的紧张关系,最终使年轻的读者能够理解20世纪初英国年轻的威尔士青少年意味着什么。
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