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Didactics and the Modern Robinsonade最新文献

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Shifting Perspectives in Two Mid-Twentieth-Century Robinsonades 20世纪中期两部罗宾森舞曲的视角转换
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.10
Ian Kinane
This chapter contends that Scott O’Dell’s Island of the Blue Dolphins and Michel Tournier’s Friday and Robinson are works of didactic fiction which pose to young readers questions of historical, political, and cultural concern and, moreover, which allow for readers to develop their own critical skills in response to such concerns. It also argue that, through the highlighting of reasoned debate, forced shifts in perspective, and a playful exposure of received social laws, both Island of the Blue Dolphins and Friday and Robinson are examples of educational literature par excellence, precisely because they engender within the reader the ability to critically analyse, interpret, and independently draw conclusions from the texts’ events.
本章认为斯科特·奥戴尔的《蓝海豚岛》和米歇尔·图尼尔的《星期五》和《鲁滨逊》都是说教式小说,它们向年轻读者提出了历史、政治和文化问题,而且,它们允许读者在回应这些问题时发展自己的批判技能。它还认为,通过强调理性的辩论,强迫视角的转变,以及对既定社会规律的有趣暴露,《蓝海豚岛》和《星期五与罗宾逊》都是优秀教育文学的例子,正是因为它们培养了读者批判性分析、解释和独立地从文本事件中得出结论的能力。
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引用次数: 0
Call it Courage and the Survival of the Imperial Robinsonade 就叫它《勇气与皇家罗宾逊的生存》吧
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.9
Clive Barnes
This chapter argues that Armstrong Sperry’s Call it Courage cannot be considered a revisionist work of Robinsonade fiction (as it is sometimes interpreted) and that discussions of it in terms of postcolonial or feminist theoretical frameworks are limited precisely because of the text’s spurious ethnography. It also argue that Call it Courage is a particularly important example of a work of Robinsonade fiction whose didactic merit, ideological significance, and perceived value for young readers has changed over time. Ultimately, the chapter argues that Sperry’s narrative is a regenerated imperial Robinsonade in the guise of an indigenous Pacific Island tale, and that there is much to be suspicious of in the novel’s continued placement on North American school curricula.
这一章认为,阿姆斯特朗·斯佩里的《呼唤勇气》不能被认为是罗宾逊小说的修正主义作品(正如它有时被解释的那样),并且由于文本虚假的民族志,从后殖民或女权主义理论框架的角度对它的讨论受到了限制。它还认为,《呼唤勇气》是罗宾逊纳德小说的一个特别重要的例子,其说教价值、意识形态意义和对年轻读者的感知价值随着时间的推移而改变。最后,这一章认为,斯佩里的叙述是披着太平洋土著岛屿故事的外衣,重新演绎的帝国罗宾森纳德,小说继续出现在北美学校课程中,这一点值得怀疑。
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引用次数: 0
Romance, the Robinsonade, and the Cultivation of Adolescent Female Desire in Libba Bray’s Beauty Queens 利巴·布雷的《选美皇后》中浪漫主义、罗宾逊舞曲与少女欲望的培养
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.12
Amy Hicks
This chapter argues that Libba Bray’s Beauty Queens, a satirical riposte to the Robinsonade genre, draws on the broad tradition of codifying the desert island as a space for romantic interludes and posits the island as a distinctly experimental site for girls to navigate gendered behaviours, in order that they might question conservative social mores concerning female sexuality. It also argues for a critical perspective that reclaims women’s connection to nature by reconsidering the cultural construction of “woman” as one that is potentially transgressive within the narrative, and it schools young readers in finding pleasure in their own bodily, sexual desires.
本章认为,Libba Bray的《选美皇后》(Beauty Queens)是对罗宾森纳德(robinson sade)类型的讽刺反击,它借鉴了将荒岛编入浪漫插曲空间的广泛传统,并将荒岛设定为一个独特的实验场所,供女孩们驾驭性别行为,以便她们质疑有关女性性行为的保守社会习俗。它还提出了一种批判性的观点,通过重新考虑“女性”的文化建构,将其视为叙事中潜在的违法行为,重新确立了女性与自然的联系,并教导年轻读者在自己的身体和性欲中寻找快乐。
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引用次数: 0
Navigating Nationhood, Gender, and the Robinsonade in The Dreams of Myfanwy 在《我的梦想》中导航国家、性别和罗宾逊舞曲
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.8
S. M. Rosser
This chapter argues that The Dreams of Myfanwy, written by Welsh writer Moelona and concerned with the experiences of the female author writing in a minority language, negotiates an intriguing relationship with, and offers perspective on, the patriarchal, imperial ideologies traditionally associated with imitations of Daniel Defoe’s Robinson Crusoe. The chapter contends that the didactic impulse of this particular Robinsonade is to inculcate within its young readers a sense of Welsh national and cultural difference; like many other popular adventure novels written in Welsh from the 1910s to the 1930s, Moelona’s novel is specifically designed to entice readers and to instil a sense of pride in their cultural and linguistic distinctiveness. The chapter concludes by arguing that this text is a teaching tool that embodies the tension between creativity and didacticism, and which ultimately allows its young readers to navigate an understanding of what it meant to be a young Welsh adolescent in early 20th-century Britain.
这一章认为,威尔士作家莫洛娜的《我的梦》关注的是用少数民族语言写作的女性作家的经历,它与传统上与丹尼尔·笛福的《鲁滨逊漂流记》的模仿有关的父权、帝国意识形态建立了一种有趣的关系,并提供了视角。本章认为,这首《罗宾逊颂》的说教冲动是为了向年轻读者灌输威尔士民族和文化差异的意识;就像其他许多在20世纪10年代到30年代用威尔士语写的流行冒险小说一样,莫洛纳的小说是专门为吸引读者而设计的,并为他们的文化和语言独特性灌输一种自豪感。本章最后认为,这篇文章是一种教学工具,体现了创造力和说教主义之间的紧张关系,最终使年轻的读者能够理解20世纪初英国年轻的威尔士青少年意味着什么。
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引用次数: 0
Between Communitas and Pantheism: 在社区主义和泛神论之间:
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.11
A. Höing
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引用次数: 0
‘What a Crusoe crowd we shall make!’ “我们将会是多么大的一群克鲁索人啊!””
Pub Date : 2019-09-06 DOI: 10.3828/LIVERPOOL/9781789620047.003.0002
Sinéad Moriarty
This chapter considers William Payne’s 1912 novel Three Boys in Antarctica in light of the Robinsonade genre - in particular as an example of a text which relocates the tropical desert-island setting to the icy world of the Antarctic. It argues that, while the story does contain some traditional elements of the Robinsonade narrative, the Antarctic setting has a significant impact on the text’s underlying didactics. The chapter also argues for the importance of spatial considerations within the Robinsonade genre and offers a reconsideration of the traditional topography of the genre, underlining the significant relationship between the space of the text and the characters who inhabit it. Instead of celebrating the adventuring spirit of the traditional Robinsonades, the chapter concludes that Payne’s tale is a cautionary one, and one which seeks to undo the political heritage of the Robinsonade genre at large.
本章考虑威廉佩恩1912年的小说《南极洲的三个男孩》,根据罗宾森纳德类型,特别是作为一个文本的例子,将热带荒岛的背景转移到南极冰冷的世界。它认为,虽然这个故事确实包含了罗宾森纳德叙事的一些传统元素,但南极的背景对文本的潜在教学产生了重大影响。本章还论证了罗宾森纳德类型中空间考虑的重要性,并对该类型的传统地形进行了重新思考,强调了文本空间与居住在其中的人物之间的重要关系。这一章并没有颂扬传统罗宾森纳德的冒险精神,而是总结道,佩恩的故事是一个警示性的故事,一个试图消除罗宾森纳德类型的政治遗产的故事。
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引用次数: 0
‘What a Crusoe crowd we shall make!’: “我们将会是多么大的一群克鲁索人啊!””:
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.6
Sinéad Moriarty
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引用次数: 0
Borrowing (from) Crusoe: 借用克鲁索的话:
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.7
M. Mooney, Clíona Ó Gallchoir
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引用次数: 0
Introduction: 作品简介:
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.5
Ian Kinane
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引用次数: 0
Index 指数
Pub Date : 2019-09-06 DOI: 10.2307/j.ctvpb3vsg.13
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引用次数: 0
期刊
Didactics and the Modern Robinsonade
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