Continual Flow of Limbu Pa:la:m Song: A Politeness Principle Perspective

Mohan Kumar Tumbahang
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引用次数: 1

Abstract

The paper aims to analyze the Limbu cultural specific song Pa:la:m from the perspective of the politeness principle. It attempts to reply the questions such as how the singing duet follows the communicative implicature and what the rationales or practical implications there are in life. The study design was based on the qualitative one which made the use of non-numerical data. The necessary data were elicited from the textual resources that were recorded in certain books of the Limbu culture. Moreover the data were discussed, analyzed and interpreted in relation to pragmatic theory, a part of linguistics. The analysis of the data showed that the Limbu cultural specific song Pa:la:m has readily followed the principle of politeness. As the Pa:la:m singers have learnt the polite form of speech, they can deal verbal behavior smoothly and successfully. It is expected that this study can help the individuals involving in the pragmatic study of the verbal behavior. In addition, the anthropologists can achieve certain insight into the Limbu ethic culture and the traditional song Pa:la:m.
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林布语的连续流动:礼貌原则视角
本文旨在从礼貌原则的角度分析临布文化特有的歌曲《Pa:la:m》。它试图回答诸如二重唱如何遵循交际含义以及生活中存在的基本原理或实际含义等问题。研究设计以定性研究为基础,采用非数值数据。必要的数据是从记录在林布文化的某些书籍中的文本资源中提取出来的。此外,本文还从语用学的角度对这些数据进行了讨论、分析和解释。数据分析表明,临布文化特有的歌曲Pa:la:m很容易遵循礼貌原则。由于Pa:la:m歌手已经学会了礼貌的说话方式,他们可以顺利而成功地处理言语行为。期望本研究能对参与言语行为语用研究的个体有所帮助。此外,人类学家对林布民族文化和传统歌曲“Pa:la:m”也有一定的了解。
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