{"title":"“Hasta tomar el cielo por asalto”: Competing Historical Moods in Patricio Pron’s \"El espíritu de mis padres sigue subiendo en la lluvia\"","authors":"Rebecca Garonzik","doi":"10.26824/lalr.274","DOIUrl":null,"url":null,"abstract":"Patricio Pron’s \"El espíritu de mis padres sigue subiendo en la lluvia\" is among the many twenty-first century Argentine novels that grapple with the historical events of the 1960s and 70s and their ongoing repercussions in the present. Based on the title of Pron’s work, one might assume that the text would be focused on the spirit of possibility that characterized his parents’ generation — the “spirit of hope for change” that John Beverley has identified as part of the cultural ethos of the armed struggle. However, Pron never provides a detailed account of his narrator’s parents’ activities as members of the Peronist organization Guardia de Hierro, nor does he offer a thorough depiction of the spirit of the era. This marked contradiction between what the title suggests the novel is about and what it actually addresses gestures to an alternate layer of meaning in the text, conveying the way in which the legacies of both the dictatorship and of neoliberal governance continue to overshadow memories and representations of the political movements that preceded the dictatorship and of the spirit of possibility that accompanied them. At the same time, the novel’s title and the passage from which it emerges also speak to a coexisting desire in twenty-first century Argentine literature to regain access to the spirit of possibility of the political movements of the 1960s and early 70s so as to be able to use it for the country’s future.","PeriodicalId":333470,"journal":{"name":"Latin American Literary Review","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Latin American Literary Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26824/lalr.274","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Patricio Pron’s "El espíritu de mis padres sigue subiendo en la lluvia" is among the many twenty-first century Argentine novels that grapple with the historical events of the 1960s and 70s and their ongoing repercussions in the present. Based on the title of Pron’s work, one might assume that the text would be focused on the spirit of possibility that characterized his parents’ generation — the “spirit of hope for change” that John Beverley has identified as part of the cultural ethos of the armed struggle. However, Pron never provides a detailed account of his narrator’s parents’ activities as members of the Peronist organization Guardia de Hierro, nor does he offer a thorough depiction of the spirit of the era. This marked contradiction between what the title suggests the novel is about and what it actually addresses gestures to an alternate layer of meaning in the text, conveying the way in which the legacies of both the dictatorship and of neoliberal governance continue to overshadow memories and representations of the political movements that preceded the dictatorship and of the spirit of possibility that accompanied them. At the same time, the novel’s title and the passage from which it emerges also speak to a coexisting desire in twenty-first century Argentine literature to regain access to the spirit of possibility of the political movements of the 1960s and early 70s so as to be able to use it for the country’s future.
帕特里西奥·普隆(Patricio Pron)的《我父母的精神继续在雨中上升》(the spirit of my parents still rise in rain)中的竞争历史情绪
帕特里西奥·普隆的《espíritu》是21世纪阿根廷众多小说中的一部,这些小说与20世纪60年代和70年代的历史事件及其对当今的持续影响作了斗争。根据普隆作品的标题,人们可能会认为,文章将聚焦于他父母那一代人所特有的可能性精神——“变革的希望精神”,约翰·贝弗利(John Beverley)认为这是武装斗争文化气质的一部分。然而,普隆从未详细描述叙述者的父母作为庇隆主义组织“耶罗守护者”(Guardia de Hierro)成员的活动,也没有对那个时代的精神进行全面的描述。书名所暗示的小说内容和它实际所表达的内容之间的明显矛盾表明了文本中另一层意义,传达了独裁统治和新自由主义统治的遗产继续掩盖了对独裁统治之前的政治运动的记忆和表现,以及伴随它们的可能性精神。与此同时,小说的标题和段落也说明了21世纪阿根廷文学中共存的愿望,即重新获得20世纪60年代和70年代早期政治运动的可能性精神,以便能够将其用于国家的未来。