(Anti-)Semitism 1890s/1990s: Octave Mirbeau and E.M. Cioran

Aleksandra Gruzińska
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Abstract

Mirbeau's voice thundered in Les Grimaces (1883-1884) against the Jewish segment of the French population. During the Dreyfus affair of the 1890s, he became nonetheless an ardent Dreyfusard who reversed his sympathies. To those who doubted his credibility as a journalist, Mirbeau responded with recantations or "Palinodies" (1898). A century later, E.M. Cioran's death in 1995 led French papers to reveal the nature of his writings of the 1930s. His "youthful extremism" did not augur well for the Jews, or his own glory. Having tasted exile, he became later in life an uncompromising skeptic. Exile taught Cioran to understand the Jews better. In "Un Peuple de solitaires" he replaced his youthful anti-Jewish stance with a penetrating essay on the Jewish nation. This article explores how two fin de siècle writers courageously tamed their anti-Semitism and reversed their sympathies in favor of the Jews.
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(反)犹太主义19世纪90年代/ 90年代:Octave Mirbeau和E.M. Cioran
在《鬼脸》(Les Grimaces, 1883-1884)中,米尔博怒斥法国人口中的犹太人。在19世纪90年代的德雷福斯事件中,他变成了一个热心的德雷福斯主义者,他改变了自己的同情。对于那些怀疑他作为记者的可信度的人,米尔博以撤回声明或《Palinodies》(1898)作为回应。一个世纪后,E.M.乔沆于1995年去世,法国报纸披露了他20世纪30年代作品的本质。他的“青年极端主义”对犹太人和他自己的荣耀来说都不是好兆头。在经历了流亡之后,他后来成为了一个毫不妥协的怀疑论者。流亡教会了乔兰更好地了解犹太人。在《孤独者》一书中,他用一篇关于犹太民族的精辟文章取代了他年轻时的反犹太立场。这篇文章探讨了两位作家如何勇敢地驯服他们的反犹太主义,并扭转他们对犹太人的同情。
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