Między- i metazmysły – percepcja w dobie sztuki multimedialnej

A. Mądro
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Abstract

The mechanism of perceiving the world by mankind is still an unfathomable, yet highly discussed, problem of modern science in its various fields. If the issue is considered in the specific context of contemporary music and art – electroacoustic, multimedia, interactive – questions arise: how do the hearing and the mind react to the new synthesized sounds? What are the mechanisms and rules of multi-sensory perception? Are new perceptual skills developing in the face of new aesthetic situations? Does mankind in the age of the newmedia take another step on the long path of its “sensory evolution”?New media art often puts the senses to the proof; it is a game played with perception, with its limitations and capabilities. In turn, intensification of experience appears to the audience as liberation, escapism, but also as a search for new ways of knowing.
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人类感知世界的机制,在现代科学的各个领域中,仍然是一个深不可测而又备受讨论的问题。如果把这个问题放在当代音乐和艺术的特定背景下考虑——电声、多媒体、互动——问题就出现了:听觉和大脑对新的合成声音有什么反应?多感官知觉的机制和规律是什么?面对新的审美情境,新的感知技能是否正在发展?新媒体时代的人类是否在“感官进化”的漫漫长路上又迈出了一步?新媒体艺术常常把感官作为证明;这是一场与感知有关的游戏,有其局限性和能力。反过来,对观众来说,经验的强化表现为解放、逃避,但也表现为对新的认识方式的探索。
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