Podróż do źródeł muzyki? Afrykańsko-niemieckie związki muzyczne w I poł. XX wieku

Wojciech Odoj
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Abstract

The article is a review of Anna Maria Busse Berger’s book The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries. This volume discusses the role of youth movements (Jugendbewegung, Wandervogel, Singbewegung) responsible for creating the cultural life of Germany, and the interdependencies between musicologist-medievalists, ethnomusicologists and missionaries. It also deals with the fascinating, difficult beginnings of comparative musicology, including the story of musicology as a scholarly discipline that was slowly finding its place among other branches of learning that had already been long established at universities.
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这篇文章是对Anna Maria Busse Berger的书《在非洲和德国寻找中世纪音乐,1891-1961:学者,歌手,传教士》的评论。本卷讨论了青年运动的作用(Jugendbewegung, Wandervogel, Singbewegung)负责创造德国的文化生活,以及音乐学家-中世纪主义者,民族音乐学家和传教士之间的相互依存关系。它还讲述了比较音乐学迷人而艰难的开端,包括音乐学作为一门学术学科的故事,它慢慢地在其他已经在大学里建立了很长时间的学习分支中找到了自己的位置。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Podróż do źródeł muzyki? Afrykańsko-niemieckie związki muzyczne w I poł. XX wieku Siglind Bruhn i pieśniowe symfonie o przemijaniu Redukcjonizm w twórczości fletowej Henryka Mikołaja Góreckiego z lat 1986–1996 Trajektoria tonalno-harmoniczna jako wyraz archetypu narracyjnego unii mistycznej w twórczości Charles’a Tournemire’a i Aleksandra Skriabina Pieśni bólu i rozpaczy. O "Pieśniach północnych" (1973) Andrzeja Krzanowskiego
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