Classifying Cultural Music using Melodic Features

Amruta Vidwans, Prateek Verma, P. Rao
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引用次数: 5

Abstract

We present melody based classification of musical styles by exploiting pitch and energy based characteristics computed on the audio signal. Three prominent musical styles were chosen which have improvisation as an integral part with similar melodic principles, theme, and structure of concerts namely, Hindustani, Carnatic and Turkish music. Listeners of one or more of these genres can discriminate these entirely based on the melodic style. The resynthesized melody of music pieces that share the underlying raga/makam, removing any singer cues, was used to validate our hypothesis that style distinction is embedded in the melody. Our automatic method is based on finding a set of highly discriminatory features, motivated by musicological knowledge, to capture distinct characteristics of the melodic contour. The nature of transitions in the pitch contour, presence of microtonal notes and the dynamic variations in the vocal energy are exploited. The automatically classified style labels are found to correlate well with the judgments of human listeners. The melody based features when combined with timbre based features, were found to improve the classification performance on the music metadata based genre labels.
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用旋律特征对文化音乐进行分类
我们利用音频信号上计算的音高和能量特征,提出了基于旋律的音乐风格分类。选择了三种突出的音乐风格,即印度斯坦音乐、卡纳蒂克音乐和土耳其音乐,它们将即兴创作作为不可或缺的组成部分,具有相似的旋律原则、主题和音乐会结构。一个或多个这些流派的听众可以完全根据旋律风格区分这些。重新合成的音乐片段的旋律共享潜在的拉格/makam,删除任何歌手的线索,被用来验证我们的假设,即风格的区别是嵌入在旋律中。我们的自动方法是基于发现一组高度歧视性的特征,由音乐学知识驱动,以捕捉旋律轮廓的鲜明特征。在音高轮廓过渡的性质,存在的微音调音符和动态变化的声乐能量被利用。自动分类的风格标签被发现与人类听众的判断有很好的关联。发现基于旋律的特征与基于音色的特征相结合可以提高基于音乐元数据的类型标签的分类性能。
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