Folksinger, Bluesman, Rocker, Crooner

L. Starr
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Abstract

This chapter offers a chronological overview of Bob Dylan’s evolution as a singer on his recordings. Starting out as a folk-singing heir to Woody Guthrie, and incorporating strong influences from the blues, Dylan went on to embrace electric rock in the mid-1960s and then assumed the voice of a country crooner at the end of the decade. Among the songs receiving detailed attention are “Blowin’ in the Wind,” “Down the Highway,” “Subterranean Homesick Blues,” and several from the album Nashville Skyline. Eventually, Dylan utilized a wide range of vocal approaches on single albums; his 1975 Blood on the Tracks is treated as exemplary in this regard. The chapter concludes with a consideration of Dylan’s employment of expressive silence in his vocal lines.
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民谣歌手,蓝调歌手,摇滚歌手,低吟歌手
本章提供了鲍勃·迪伦作为一个歌手在他的录音的时间顺序概述。迪伦最初是伍迪·格思里(Woody Guthrie)的民谣歌手继承人,并受到布鲁斯的强烈影响,在20世纪60年代中期开始接受电子摇滚,然后在20世纪60年代末开始演唱乡村低吟歌手。受到详细关注的歌曲包括《在风中飘荡》、《沿着高速公路》、《地下思乡蓝调》以及专辑《纳什维尔天际线》中的几首。最终,迪伦在单张专辑中使用了各种各样的声乐方法;他1975年的《铁轨上的血》在这方面被视为典范。这一章最后考虑了迪伦在他的歌声中对表达性沉默的运用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Folksinger, Bluesman, Rocker, Crooner Bringing It All Back Home Bob Dylan as Composer, II Bob Dylan as Composer, I Accompanying Bob Dylan
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