GENRE AND STYLISTIC PECULIARITIES OF YURII KLEN’S FLASH FICTION

V. Kuz
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Abstract

The article examines the peculiarities of Yurii Klen’s flash fiction creation in the genre and stylistic aspect, drawing attention to the individual modes of artistic existence, the metaphysical perspective of modeling reality. Using specific examples, an attempt was made to analyze the genre and stylistic originality of flash fiction, highlighting the peculiarities of the existential manifestations, the unknowable and irrational in the human Self through the prism of style dynamics, psychological aspects. It has been proved that the verbal transmission of sounds and songs clearly and exhaustively reveals auditory perception, fills the work with deep associations, and helps the character to learn more about the world. Musicality enhances the inner image of the hero, his dreams and hopes. For the first time, we have clarified and interpreted the genre peculiarities of the short story “Apples”. It has been revealed that the linguistic ornament enriches the lyrical prose of Yurii Klen. Although ornamental poetics is modeled only in certain parts of texts, it performs fundamental functions for the entire prose work, because it expresses various leitmotivs, more comprehensively reveals the perception of the world, creates multi-aspect subtexts, intensifies the suggestive function of the word, space-time parameters, more clearly illuminates the point of view of the characters. The linguistic ornament in the short story “Apples”, in the novellas “Medallion”, “Acacia”, “Adventures of the Archangel Raphael” makes it possible to reach the level of the ontological field of social reality, to identify the philosophical line, to expand or change the scale of the artistic world, that is, the depicted one. In the Yurii Klen’s prose, ornamental poetics is distinguished by the associativity of thoughts, images, the sophistication of sayings, the richness of metaphors and other artistic devices of representation. Lyrical prose of the writer reveals the position, attitude of the narrator to his perception of the environment, society, life, his thoughts, feelings and experiences.
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尤里·克伦闪光小说的体裁与文体特点
本文从体裁和文体两个方面考察了尤里·克伦闪光小说创作的独特性,关注艺术存在的个体模式,塑造现实的形而上视角。本文试图通过具体实例分析闪光小说的类型和风格独创性,通过风格动态、心理层面的棱镜,突出人类自我存在表现的独特性、不可知性和非理性性。事实证明,声音和歌曲的语言传递清晰而详尽地揭示了听觉感知,使作品充满了深刻的联想,有助于人物更多地了解世界。音乐性增强了主人公的内心形象,他的梦想和希望。本文首次对短篇小说《苹果》的体裁特点进行了梳理和解读。研究表明,语言的点缀丰富了尤里·克伦的抒情散文。虽然观赏性诗学只在文本的某些部分被塑造,但它对整个散文作品具有根本性的作用,因为它表达了各种主题动机,更全面地揭示了对世界的感知,创造了多方面的潜台词,强化了词语、时空参数的暗示功能,更清晰地阐明了人物的观点。短篇小说《苹果》、中篇小说《大圆章》、《相思》、《大天使拉斐尔历险》中的语言点缀,使人们有可能到达社会现实的本体论场域的层次,识别哲学路线,扩大或改变艺术世界的尺度,即被描绘的世界。在尤里·克伦的散文中,观赏性诗学的特点是思想、形象的联想性、谚语的复杂性、隐喻的丰富性和其他艺术表现手段。作者的抒情散文揭示了叙述者对环境、社会、生活的感知以及他的思想、感情和经历的立场、态度。
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