Early childhood music making in educational settings: A comprehensive analysis of peer-reviewed research, 2000–17

K. Salvador
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引用次数: 8

Abstract

In this article, I present a comprehensive analysis of peer-reviewed research articles published in English between 2000 and 2017 regarding active music making in early childhood (EC) educational settings. My specific research questions were: who was making music? Who else was present? What did the children and other persons do? In what kinds of educational settings did the music making take place? How did the researchers frame and design their studies, and how did they collect data? What did the researcher(s) seek to understand? What did the researchers find? The results of this review challenge the EC music education profession to support every child’s right to a musical childhood by telling the whole story, communicating across places and communities of practice and understanding teaching and learning as contextual, varied and nuanced.
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幼儿音乐创作在教育环境:同行评议研究的综合分析,2000-17
在本文中,我对2000年至2017年期间发表的关于幼儿(EC)教育环境中主动音乐制作的同行评审研究文章进行了全面分析。我的具体研究问题是:谁在制作音乐?还有谁在场?孩子们和其他人做了什么?音乐创作是在什么样的教育环境下进行的?研究人员是如何构建和设计他们的研究的?他们又是如何收集数据的?研究者试图理解什么?研究人员发现了什么?这项审查的结果挑战了欧共体音乐教育专业,通过讲述整个故事,跨地方和实践社区进行沟通,并理解教学和学习的背景,多样性和细微差别,来支持每个孩子拥有音乐童年的权利。
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Hearing young children’s musical voices Making Voices Visible in Early Childhood Music: Australian perspectives from the 2022 ECME pre-conference virtual seminar Early Childhood Music Education Commission (ECME) International Seminar: Making Voices Visible in Early Childhood Music, 12–14 July 2022 2022 ISME Early Childhood Music Education Commission 2022 ISME/ECME Seminar
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