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International Journal of Music in Early Childhood最新文献

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Making Voices Visible in Early Childhood Music: Australian perspectives from the 2022 ECME pre-conference virtual seminar 让声音在幼儿音乐中可见:来自 2022 年欧洲幼儿音乐教育大会会前虚拟研讨会的澳大利亚观点
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00052_2
Jill Holland, Amanda Niland
The purpose of this article is to share information about the virtual pre-conference seminar of the Early Childhood Music Education (ECME) Commission of The International Society for Music Education (ISME). The seminar included an Australian focus, as if not for the COVID-19 pandemic, the ECME seminar and the ISME world conference would have been held in Australia. The article presents key moments from the seminar, including the welcome, keynote and the range of presentations from many countries. The ECME commissioners worked tirelessly to make this event happen, dealing creatively and effectively with widely differing time zones and technical challenges.
本文旨在分享有关国际音乐教育学会(ISME)幼儿音乐教育(ECME)委员会虚拟会前研讨会的信息。研讨会以澳大利亚为重点,因为如果不是 COVID-19 大流行,ECME 研讨会和 ISME 世界大会本应在澳大利亚举行。文章介绍了研讨会的关键时刻,包括欢迎辞、主旨发言和来自许多国家的演讲。ECME的委员们为举办这次活动付出了不懈的努力,创造性地有效解决了时区差异大和技术难题。
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引用次数: 0
Special Presentations 特别演讲
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00060_7
San Bernardino, Csusb ScholarWorks, Khanh Luu, Alexis Ramirez, Alastair Edmonstone, Georges Bizet
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引用次数: 0
Publishing in the International Journal of Music in Early Childhood: Key processes and considerations 在《国际幼儿音乐杂志》上发表文章:关键过程和注意事项
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00057_1
Diana R. Dansereau, E. Andang’o, Luc Nijs
Research shows that several factors often impede potential authors from engaging in the publishing process. These include negative emotions stemming from unpleasant reviewer feedback and/or a lack of specific knowledge regarding the various stages of writing and publishing. In this article, based on a session we presented at the 2022 ISME Early Childhood Commission Seminar, we aim to counter such negative emotional responses by providing writing and publishing information for readers who seek to disseminate their work through International Journal of Music in Early Childhood (IJMEC). We draw upon Kwan’s Research Publishing Competence Framework, which consists of five domains related to comprehensively supporting authors: conceiving and designing publishable projects, output planning and management, manuscript writing, thesis–publication conversion and handling reviews.
研究表明,有几个因素经常阻碍潜在作者参与出版过程。这些因素包括不愉快的审稿人反馈和/或对写作和出版的各个阶段缺乏具体了解而产生的负面情绪。本文以我们在2022年国际音乐教育学会幼儿委员会研讨会上的发言为基础,旨在为希望通过《国际幼儿音乐杂志》(IJMEC)传播其作品的读者提供写作和出版信息,从而消除这些负面情绪反应。我们借鉴了 Kwan 的 "研究出版能力框架"(Research Publishing Competence Framework),该框架由五个与全面支持作者相关的领域组成:构思和设计可出版的项目、产出规划和管理、手稿写作、论文-出版转换和处理评论。
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引用次数: 0
ECME 2022–24: Looking ahead 2022-24 年欧洲高等教育部长会议:展望未来
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00058_1
Lauren K. Kooistra
The Early Childhood Music Education (ECME) commission of the International Society for Music Education (ISME) looks ahead to the future work of ECME, and specifically the pre-conference seminar to be held in Helsinki, July 2024, with the theme Enhancing a Sustainable Future with Music in Early Childhood. With planning for the seminar underway, the commissioners aim is for ECME to be a sustained rich space, where researchers and practitioners can meet together to support and advocate for the role of music in the lives and well-being of young children and those who care for them.
国际音乐教育学会(ISME)儿童早期音乐教育(ECME)委员会展望了ECME未来的工作,特别是将于2024年7月在赫尔辛基举行的会前研讨会,其主题为 "用儿童早期音乐促进可持续发展的未来"。研讨会的规划工作正在进行之中,委员会的目标是使欧洲幼儿音乐教育大会成为一个持续丰富的空间,让研究人员和从业人员能够共聚一堂,支持和倡导音乐在幼儿和照顾他们的人的生活和福祉中的作用。
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引用次数: 0
Hearing young children’s musical voices 聆听幼儿的音乐之声
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00051_2
Suzanne L. Burton
The first virtual International Society for Music Education (ISME) Early Childhood Music Education (ECME) seminar in July 2022, featured a provocative theme, Making Voices Visible in Early Childhood Music. Research papers, poster presentations and the keynote by Pauline Harris led us to consider ways to cast our attention on children’s voices through and about music. By listening deeply and visibly, we can expand our understanding of young children as musickers, leading to improved pedagogy, while providing a compass for further inquiry.
2022 年 7 月,国际音乐教育学会(ISME)举办了首届虚拟幼儿音乐教育(ECME)研讨会,主题是 "让幼儿音乐中的声音看得见"。研究论文、海报展示和宝琳-哈里斯(Pauline Harris)的主题演讲引导我们思考如何通过音乐和关于音乐来关注儿童的声音。通过深入和明显地倾听,我们可以扩大对幼儿音乐家的了解,从而改进教学方法,同时为进一步的探索提供指南。
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引用次数: 0
Early Childhood Music Education Commission (ECME) International Seminar: Making Voices Visible in Early Childhood Music, 12–14 July 2022 幼儿音乐教育委员会(ECME)国际研讨会:让声音在幼儿音乐中彰显,2022 年 7 月 12-14 日
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00054_7
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引用次数: 0
Making Voices Visible in Early Childhood Music: ISME/ECME Seminar, 12–14 July 2022 让声音在幼儿音乐中可见:ISME/ECME 研讨会,2022 年 7 月 12-14 日
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00059_7
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引用次数: 0
N/nature as an impetus for the creation of a sonic experience for babies 以自然为动力,为婴儿创造声波体验
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00056_1
Natalie Alexandra Tse
This article explores the creation of a sonic experience for babies driven by conceptual notions of Nature at large, as well as the natural dispositions of babies. Using the researcher’s background as an experimental musician on the guzheng, parallels are drawn between contemporary music practices (e.g. John Cage; R. Murray Schafer; Toru Takemitsu) that explore Nature as theme, as well as Chinese perspectives (e.g. Book of Rites, Record of Music; Zhuangzi of Nature). Both speak to the diminution of the dualism of self and other such that one’s experiences could be viewed as interconnected within self and the environment, achieving attunement with Nature to be in a state of spontaneity. Babies seem to exist in such a state of attunement with Nature, where the self is in harmony with the other. Such existence allows one to be in a state of constant receiving and responding to sounds through multiple modalities of the body. According to Colwyn Trevarthen’s theory of innate intersubjectivity, this is fundamental to babies’ intersubjective communication, where babies innately seek attunement. Through the observations of four sonic experience sessions created for babies, the conceptual notions of Nature and its application onto the sessions are presented. These were evident through the artistic choices made in the structure, set and props, music explorations and babies’ engagement. Due to the nature of babies where they exist in spontaneity with the environment, it was noted that despite an experience designed especially for sonic functions, babies’ perceptions were multimodal in nature. The experience of sound was not purely auditory. Babies’ innate need to seek attunement, such as companionship through an imitative other was also significant to the experience. This has implications on the affordances of experiences in infant care environments in childcare settings.
本文探讨了在大自然概念和婴儿自然倾向的驱动下,为婴儿创造一种声音体验。利用研究者作为古筝实验音乐家的背景,将当代音乐实践(如约翰-凯奇、R. Murray Schafer、竹光彻)与中国视角(如《礼记-乐记》、《庄子-自然》)相提并论。两者都提到了自我和他者二元论的消解,从而使人的经验被视为在自我和环境中的相互联系,达到与自然的契合,从而处于一种自发的状态。婴儿似乎就存在于这样一种与自然相协调的状态中,在这种状态中,自我与他者是和谐的。这种存在使人能够通过身体的多种模式不断接收和回应声音。根据科尔温-特雷瓦顿(Colwyn Trevarthen)的 "先天主体间性 "理论,这是婴儿进行主体间交流的基本要素,婴儿天生就会寻求调和。通过观察为婴儿设计的四个声波体验环节,我们提出了自然的概念及其在体验环节中的应用。通过对结构、布景、道具、音乐探索和婴儿参与等方面的艺术选择,这些都是显而易见的。婴儿的天性是自发地与环境相处,因此,尽管体验是专门为声音功能而设计的,但婴儿的感知本质上是多模态的。声音体验并非纯粹的听觉体验。婴儿与生俱来的寻求适应的需要,如通过模仿他人来寻求陪伴,对这种体验也很重要。这对儿童保育机构中婴儿保育环境的体验能力具有影响。
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引用次数: 0
2022 ISME Early Childhood Music Education Commission 2022 年 ISME 幼儿音乐教育委员会
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00061_7
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引用次数: 0
In the key of child major: Engaging with children’s voices through and about music 儿童大调通过音乐和关于音乐与儿童的声音互动
Pub Date : 2023-06-01 DOI: 10.1386/ijmec_00055_1
Pauline Harris
Guided by children’s right as active citizens to be heard and have their views taken into account on matters affecting their lives, this article explores opportunities early childhood music educators can provide for children’s voices to inform their practices. Drawing on experiences from the Children’s Voices project, the author describes ten key principles that guide authentic dialogic encounters with children. Connections are made to research in early childhood music throughout the article. These connections inform how music in its various guises can be used as a medium for engaging with children’s voices and, conversely, how children’s voices can and should inform early childhood music education.
儿童作为积极的公民,有权在影响其生活的问题上表达自己的意见并得到考虑,在此基础上,本文探讨了幼儿音乐教育工作者可以为儿童提供哪些机会,让他们在实践中了解儿童的声音。根据 "儿童之声 "项目的经验,作者阐述了指导与儿童进行真实对话的十项关键原则。整篇文章都与幼儿音乐研究相关联。这些联系揭示了如何利用各种形式的音乐作为与儿童对话的媒介,以及反过来,儿童的声音可以并应该如何为幼儿音乐教育提供信息。
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引用次数: 0
期刊
International Journal of Music in Early Childhood
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