Creative Process II

S. A. Crist
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Abstract

Among Dave Brubeck’s personal audio recordings are about two dozen takes of “Take Five,” which preceded the full-length version on Time Out and the shorter single release version. This chapter discusses first the familiar versions from July 1959, and then considers how the Quartet’s efforts at the end of June paved the way for those iconic recordings. A surprising discovery from the original session recordings of “Kathy’s Waltz” and “Strange Meadow Lark” is that both cuts were spliced from supplemental takes. The recording history of “Everybody’s Jumpin’ ” includes the unexpected fact that a portion of the tune originated in 1950, nine years before the Time Out sessions. The chapter also examines the original recordings of “Three to Get Ready” and “Blue Rondo à la Turk,” as well as two tracks that shed light on the origins of “Pick Up Sticks.”
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创作过程二
在戴夫·布鲁贝克(Dave Brubeck)的个人录音中,大约有二十多首《Take Five》的录音片段,在《Time Out》的全长版本和较短的单曲发行版本之前。本章首先讨论1959年7月的熟悉版本,然后考虑四重奏在6月底的努力是如何为那些标志性的录音铺平道路的。从《凯西的华尔兹》和《奇怪的草地百灵鸟》的原始录音中,一个令人惊讶的发现是,这两个剪辑都是从补充录音中拼接而来的。《Everybody’s Jumpin》的录音历史包括了一个意想不到的事实,那就是这首歌的一部分起源于1950年,比《Time Out》的录制时间早了九年。本章还研究了“Three to Get Ready”和“Blue Rondo la Turk”的原始录音,以及两首阐明“Pick Up Sticks”起源的曲目。
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Creative Process II Time and Brubeck Time Cross-Genre Synthesis Creative Process I Watershed
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