Watershed

Stephen A. Crist
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Abstract

1959 was a watershed for the Dave Brubeck Quartet. Not only was it the year of Brubeck’s most famous creative project, Time Out, but it also marked the midpoint of the “classic” Quartet with Paul Desmond, which was formed in 1951 and disbanded in 1967. This chapter discloses the specific factors involved in the production of Time Out. These include early concert performances of the repertoire, the recording sessions, and decisions concerning the album’s title, cover art, and liner notes. The other trajectory followed here concerns several important matters that were uppermost in Brubeck’s life and career at that time. Chief among them were an enormous amount of domestic and international travel, a high-profile stand against racism and segregation in the South, an all-out effort to finish his musical and see it produced on Broadway, and a series of performances with the New York Philharmonic in Carnegie Hall.
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分水岭
1959年是戴夫·布鲁贝克四重奏的分水岭。这一年不仅是布鲁贝克最著名的创作项目“Time Out”的一年,也是他与保罗·德斯蒙德(Paul Desmond)组成的“经典”四重奏(1951年成立,1967年解散)的中点。本章揭示了Time Out产生的具体因素。这些包括曲目的早期音乐会表演,录音环节,以及有关专辑名称,封面艺术和内页注释的决定。另一个轨迹涉及到当时布鲁贝克生活和事业中最重要的几件事。其中最主要的是大量的国内和国际旅行,高调地反对南方的种族主义和种族隔离,全力以赴地完成他的音乐剧并让它在百老汇上演,以及与纽约爱乐乐团在卡内基音乐厅的一系列演出。
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Creative Process II Time and Brubeck Time Cross-Genre Synthesis Creative Process I Watershed
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