{"title":"Conclusion","authors":"Jacob C. Miller","doi":"10.1332/policypress/9781529212501.003.0005","DOIUrl":null,"url":null,"abstract":"The Conclusion puts forward four key points for understanding spectacle as an embodied assemblage: (1) Spectacle is embodied and intense, not passive and hollow; (2) Donald Trump is as much a product of the spectacle as one of its masters; (3) Donald Trump utilizes spectacle politically, but as one of capitalism’s “lines of flight” he also threatens the State; and (4) The spectacle develops both interior and exterior linkages among consumer subjectivity and its broader environments.","PeriodicalId":218913,"journal":{"name":"Spectacle and Trumpism","volume":"63 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Spectacle and Trumpism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1332/policypress/9781529212501.003.0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The Conclusion puts forward four key points for understanding spectacle as an embodied assemblage: (1) Spectacle is embodied and intense, not passive and hollow; (2) Donald Trump is as much a product of the spectacle as one of its masters; (3) Donald Trump utilizes spectacle politically, but as one of capitalism’s “lines of flight” he also threatens the State; and (4) The spectacle develops both interior and exterior linkages among consumer subjectivity and its broader environments.
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