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Spectacle and Trumpism最新文献

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Conclusion 结论
Pub Date : 2020-11-18 DOI: 10.2307/j.ctv18b5d4v.9
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引用次数: 0
Conclusion 结论
Pub Date : 2020-11-18 DOI: 10.46692/9781529212518.005
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引用次数: 0
(Head)Phoning It In (头)打电话进去
Pub Date : 2020-11-18 DOI: 10.2307/j.ctv18b5d4v.7
Jacob C. Miller
This chapter considers the impact of technology on society in recent years. A new environment of information, social media and digital interfaces has inaugurated new political connections that have transformed the landscape. Rather than ruminate over the ways that Trump uses Twitter and other technologies to communicate in sometimes bizarre and dangerous ways, this chapter discusses how the spectacle itself has gone digital and how this has produced a kind of hyper-techno-consumer. There is an uneasy resemblance between the narcissism that this technology is capable of producing and the personality of Trump himself.
这一章考虑了近年来技术对社会的影响。信息、社交媒体和数字界面的新环境开创了新的政治联系,改变了格局。本章并没有思考特朗普使用Twitter和其他技术进行沟通的方式,这些方式有时是奇怪而危险的,而是讨论了这种奇观本身是如何数字化的,以及这是如何产生了一种超科技消费者的。这项技术能够产生的自恋与特朗普本人的个性有一种令人不安的相似之处。
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引用次数: 0
Architectures of Wonder and Dismay 奇迹和沮丧的建筑
Pub Date : 2020-11-18 DOI: 10.2307/j.ctv18b5d4v.8
Jacob C. Miller
Despite the spectacle going digital, the physical built environment of cities, infrastructure and everyday space continues to exist, at least for the time being. It is worth noting that the Trump enterprise perfected its post-truth capabilities through the production of these spectacular spaces as well, including hotels, resorts, casinos, shopping centers and other spaces of leisure. Again, the spectacle as an embodied assemblage enrols us in a series of activities that bring us into an uneasy proximity with the consumer world promoted by the Trump family business itself.
尽管景观正在走向数字化,但城市、基础设施和日常空间的实体建筑环境仍在继续存在,至少目前如此。值得注意的是,特朗普的企业也通过制作这些壮观的空间来完善其后真相能力,包括酒店、度假村、赌场、购物中心和其他休闲空间。再一次,作为一个具体集合的奇观,让我们参与了一系列活动,让我们不安地接近特朗普家族企业本身推动的消费世界。
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引用次数: 0
Index 指数
Pub Date : 2020-11-18 DOI: 10.2307/j.ctv18b5d4v.11
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引用次数: 0
Conclusion 结论
Pub Date : 2020-11-18 DOI: 10.1332/policypress/9781529212501.003.0005
Jacob C. Miller
The Conclusion puts forward four key points for understanding spectacle as an embodied assemblage: (1) Spectacle is embodied and intense, not passive and hollow; (2) Donald Trump is as much a product of the spectacle as one of its masters; (3) Donald Trump utilizes spectacle politically, but as one of capitalism’s “lines of flight” he also threatens the State; and (4) The spectacle develops both interior and exterior linkages among consumer subjectivity and its broader environments.
结语部分提出了将景观理解为具身组合的四个要点:(1)景观是具身的、强烈的,而不是被动的、空洞的;(2)唐纳德·特朗普(Donald Trump)既是这种奇观的产物,也是它的主人之一;(3)唐纳德·特朗普在政治上利用奇观,但作为资本主义的“逃亡线”之一,他也威胁到国家;(4)景观发展了消费者主体性与其更广泛的环境之间的内部和外部联系。
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引用次数: 0
The Affects of Celebrity Brand 名人品牌的影响
Pub Date : 2020-11-18 DOI: 10.2307/j.ctv18b5d4v.6
Jacob C. Miller
This chapter explores how Trump’s political identity builds on his status as a celebrity and as a brand. Trump has long utilized media technologies of spectacle in order to enhance his brand identity. As a commercial assemblage, Trump’s business model has been to combine the affective dimensions of celebrity and brand in a way that guarantees the flows of capital and finance that his business enterprise requires. The first chapter provides this context for how we have been socialized by these technologies of post-truth reality during these years and how they came to infect political culture. Trump was gaining celebrity status in the 1980s when President Ronald Reagan was putting similar techniques to work in the White House, providing an early model for Trump to later reinvent.
本章探讨了特朗普的政治身份是如何建立在他作为名人和品牌的地位之上的。特朗普长期以来一直利用奇观媒体技术来提高自己的品牌认知度。作为一个商业组合,特朗普的商业模式一直是将名人和品牌的情感维度结合起来,以保证他的企业所需的资本和资金流动。第一章为这些年来我们如何被这些后真相现实技术社会化以及它们如何影响政治文化提供了这样的背景。特朗普在20世纪80年代获得了名人的地位,当时罗纳德·里根(Ronald Reagan)总统在白宫运用了类似的技巧,为特朗普后来的重塑提供了一个早期的模式。
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引用次数: 0
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Spectacle and Trumpism
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