Th e Interdependence of Modeling Techniques and Plastic Procedures in the Making of Moldovan Sculptural Nudes

A. Marian
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Abstract

Th ere are many various materials suitable for the creation of sculptural nudes, but they are almost identical to those which used to create a sculptural portrait. Among them there are clay, stone (from limestone and granite to marble and some semi-precious stones), metals (bronze, aluminum, silver, gold), wood (of various types), wax (as a preliminary material), plasticine (which is also used for sketches) and gypsum (intended for casting works). J.J. Winckelmann wrote: “Visual arts begin with modeling in clay; then there was modeling in wood, then it was in ivory, and fi nally stone and metal were processed.” Th e interdependence of modeling and plastic techniques in creating nudity makes it more expressive. Th us, the choice of material for creating “nude” is not accidental. Th e modeling technique or, in other words, the quality of the rendering of the external surface, helps to reveal the artistic message of the work.
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在摩尔多瓦雕塑裸体的制作建模技术和塑料程序的相互依存
有许多不同的材料适合创作雕塑裸体,但他们几乎是相同的那些用来创建一个雕塑肖像。其中有粘土,石头(从石灰石和花岗岩到大理石和一些半宝石),金属(青铜,铝,银,金),木材(各种类型),蜡(作为初步材料),橡皮泥(也用于草图)和石膏(用于铸造工程)。J.J.温克尔曼写道:“视觉艺术始于粘土模型;然后是木头造型,然后是象牙,最后是石头和金属。”在创造裸体时,建模和塑料技术的相互依存使它更具表现力。因此,选择创作“裸体”的材料并不是偶然的。造型技术,或者换句话说,外表面渲染的质量,有助于揭示作品的艺术信息。
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