A Study on the “Entertainment Carnival” Phenomenon From the Perspective of Critical Theory of Cultural Industry: Taking Chinese Variety Show as the Research Object

Bingying Wang, Xiaonan Zhang
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Abstract

The phenomenon of "entertainment carnival" was proposed based on the fact that the contemporary cultural industry has become a social reality, and now it has become one of the most important cultural phenomena in the modern age. The criticism of the cultural industry is an important theoretical part of Adorno's philosophical aesthetics, and the cultural phenomenon of "entertainment carnival" is regarded as one of the important contents in the development of cultural industry globalization. This article will take Chinese variety shows as the analysis object, combined with the critical theory of cultural industry proposed by members of Frankfurt School Adorno and Horkheimer to analyze and study the complicated and complex "entertainment carnival" phenomenon in China, and it's also a probe into the theoretical significance of the critical theory of cultural industry in contemporary
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文化产业批判理论视角下的“娱乐狂欢”现象研究——以中国综艺节目为研究对象
“娱乐狂欢”现象的提出是基于当代文化产业已经成为一种社会现实,现在已经成为现代最重要的文化现象之一。对文化产业的批判是阿多诺哲学美学的重要理论组成部分,“娱乐狂欢”的文化现象被视为文化产业全球化发展的重要内容之一。本文将以中国综艺节目为分析对象,结合法兰克福学派成员阿多诺、霍克海默等人提出的文化产业批判理论,对中国纷繁复杂的“娱乐狂欢”现象进行分析研究,也是对文化产业批判理论在当代的理论意义的探讨
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